Zur Shalev's research while affiliated with University of Haifa and other places

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Publications (1)

Figure 1. Peter Falck surprised by death. Detail from Niklaus Manuel's danse macabre, ca. 1517-22, copy in gouache by Albrecht Kauw, 1649. Bernisches Historisches Museum, Bern, Inv. 822.1-24. Photography by Christine Moor.
Figure 2. Ex libris in Peter Falck's copy of Erasmus's Adagia (Strasbourg: Schürer, 1510). Zentralbibliothek Solothurn, Rar 332. Image courtesy of Zentralbibliothek Solothurn.
Figure 3. The beginning of the sea voyage in Sebastian Werro's pilgrimage account. Bibliothèque cantonale et universitaire, Fribourg, MS E 139, 144-45. Image courtesy of Bibliothèque cantonale et universitaire.
Figure 4. Illustration of Zante in Jean Zuallart's Il devotissimo viaggio di Gerusalemme (1587), p. 81. Image courtesy of Sylvia Ioannou Foundation.
Figure 6. Jost von Meggen's pilgrimage account, with corrections by Andreas Masius. Zentralund Hochschulbibliothek, Lucerne, MS Pp 21 4°, fols. 33 v -34 r .

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Jerusalem Reformed: Rethinking Early Modern Pilgrimage
  • Article
  • Full-text available

November 2022

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243 Reads

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4 Citations

Renaissance Quarterly

Sundar Henny

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Zur Shalev

Recent scholarship has challenged the still-powerful claim that long-distance pilgrimage and the journey to Jerusalem dramatically declined in number and significance in the sixteenth century. This article seeks to explore the different ways in which pilgrimage was embedded in the culture of the period. We interpret pilgrimage as a field of shared cross-confessional practices, representational conventions, and contestation. The paper presents a series of interlinked case studies, based on printed sources, correspondence, family archives, and material evidence. Together they demonstrate that early modern pilgrimage perpetuated medieval practices and yet was in constant dialogue with contemporary, post-Reformation religious and intellectual trends.

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