The emergence of the notion of the écrivain engagé, the writer as an active participant in the political arena, has generally been perceived as a phenomenon of the political Left and traced back to the Popular Front writers like Gide and Malraux, Yet, beginning in the early 1930s, a group of neo-Maurrassians, known as the Jeune Droite, developed a nationalist version of the 'committed' writer.
... [Show full abstract] Led by Jean-Pierre Maxence and Thierry Maulnier, a circle of young littérateurs of the Right not only developed a rationale for political involvement but, like many of their counterparts on the Left, saw their political choices circumscribed by the pan-European ideological struggle between communism and fascism. In the case of the Young Droite, this led to the vision of a 'national revolution', which, although distinctively French, would bring France into line with fascist Europe.