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Secular Judaism in Israel

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Secularity among Israel’s Jews retains many elements associated with traditional Judaism. Comprising 80 % of Israel’s Jews, they define themselves as secular but nevertheless “do Judaism” by performing rituals and hold to traditional religious worldviews and values. Such behavior is comprehended in Eisenstadt’s “multiple modernities” as well as Berger’s multiple “altars” and “coexistence.” Such behavior may be explained in a new balance between the traditional triad of Peoplehood/Torah[The Law]/and the Land of Israel that has characterized Judaism through the ages and found expression by a Hebrew-speaking people who imported new and diverse modern concepts and sources of authority in the return to their homeland where they constructed a “Jewish” state of ambiguous meanings.
... Arguing for the centrality of "ethno-apostasy" in religious leaving and switching, Phillips and Kelner contend that "in Jewish culture the boundaries between religion and other aspects of life are blurred, and native discourse defines piety more in terms of practice rather than belief" (2006: 509). As such, one can identify with Judaism's cultural or ethnic dimensions aside from its spiritual and ritual elements (Troen 2016), informally leave any Jewish denomination, community, or even selfidentify as a religious "none" (Pew Research Centre 2013)-while remaining technically Jewish. ...
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... 114 In doing so, Bialik envisioned the preservation of Jewish tradition in cultural and historical terms, with his poetry, no different to Salaman's, frequently including loaded biblical, rabbinic and mystical symbology. 115 Bialik also saw in Halevi, as Salaman did, the association between traditional Judaism, Hebrew and 'the nation of Israel'. 116 'Surely the People is Grass', written in 1897, was one of Bialik's first prophesising sermons critiquing diaspora Jews for their inaction in relation to the prospect of return and restoration: 117 'Yea, when the trumpet sounds, when the banner at last is uplifted,/Then shall the dead awake?' 118 Salaman described Bialik as a poet 'of the future telling the story of a new and better world'. ...
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This article analyses the romantic-Zionist poetry of Nina Davis Salaman, contextualising it alongside other fin-de-siècle Zionist poets to argue that she too similarly adopted bibliocentric, prophetic, and diasporic perspectives, particularly themes associated with the medieval Andalusian poetry of Judah Halevi. In doing so, Salaman, much like other Anglo-Jewish women writers, defined her own subjectivity in the context of nostalgic, romanticising religious and nationalistic discourses. However, uniquely, Salaman’s poetry adopts not only the themes of medieval Andalusian verse yearning for Zion-Jerusalem and the land of Israel, but also, as she put it, its diasporic ‘clothing of metre and rhyme’. Indeed, Salaman’s romantic poetry is populated with intertextual links recalling the biblical Prophets and Halevi’s exilic poetry, which offer historical and scriptural substantiation to support contemporaneous Zionist discourses. Songs of Many Days draws equally on her underlying belief that ‘metre and rhyme’, including in her own poetry, are a feature of diasporic existence.
... As a result of these dietary requirements, individuals who observe Orthodox Judaism may request either kosher or vegetarian meals when hospitalized (Ehman, 2012). Many Conservatives maintain a kosher home yet are amenable to a wider interpretation of the dietary laws when out in the community (Troen, 2016). The Reformed recognize Kashrut as a spiritual discipline, though there is variation in observance (ReformJudaism.org, ...
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The Israeli/Arab conflict over the Holy Land is carried out in both religious and secular discourses by Jews, Christians, and Muslims. This chapter outlines how secular discourses apparently came to supplant the theological in the public square since the Enlightenment. Secular international law proved unable to provide a conclusive basis for adjudicating contrary claims. Moreover, theological positions could be held together with secular ones to the same effect. This is particularly true of replacement theology that can be allied with similar secular arguments that deny the legitimacy of a Jewish state. This leads to interrogating how independent the two discourses are of one another. The essay concludes that a way forward may be through conducting parallel narratives that may engender empathy and by encouraging pragmatism.
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The religious Linguistic Landscape of the town of Safed in the Upper Galilee in Israel was studied to determine the features, properties, and boundaries signifying the spectrum of belief in the Jewish Orthodox world. In Israel, where much of everyday life is defined within a religious context, signs, posters, stickers, flags, and graffiti are a common sight and express an ongoing dynamic in the Linguistic Landscape by referencing other dimensions expressed in dress, music, and dance as well as the Internet. Expanding on the initial study is a discussion as to whether the Linguistic Landscape is utilized to express the expectation of messianic redemption through the repetition of the images of spiritual leaders and the visual representations of a religious mantra.
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