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Readings in Place Emplyment in
Jordanian Art
M. Asfour*
ABSTRACT
The setting in the work of artists is considered a great deal. While the setting
holds the memory and visions, it also provides optical meanings that could
potentially be very expressive and unique and contribute to the formation of
the aesthetic paintings that have a flavor and taste of their own. It also
contributes to the mainstreaming of the cultural identity of the creator،
especially in light of the modernization and western globalization backed by
the sway of science and alienation, which has rocked the cultures of the
world in the last two decades. All that did not discourage our artists from
trying to root the identity and self-culture in their works. So, the replication
of the place and setting in the work was one of the more pressing means for
the mainstreaming of self and cultural identity. The study will review the
highlights of Jordanian artists’ employment of the place setting of jordan، in
particular highlighting the specialties of that employment in its different
varieties like the pictorial، modernist or any other. This study will also shed
light on the presence of place setting in Jordanian art by the raw artisitc
materials derived from the place itself. Due to the visual nature of the study,
the research will depend on the reading phenomenology approach in
monitoring the place setting in the most important artists’ configurations of
drawing، photography، ceramics، sculpture and more، starting with the
experiences of pioneers of the sixties generation of the last century and
ending with some of the experiences of today's generation where the study
will include visual models from their experiences in drawing up the place،
included in the context of the study itself.
Keywords: Place Employment, Art, Artists.