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Retroprospecciones intertextuales: A propósito de Pierre Bayard y el plagio por anticipado

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José Angel García Landa at University of Zaragoza
José Angel García Landa
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Abstract

Este artículo expone la noción de plagio por anticipado desarrollada por el crítico francés Pierre Bayard, así como sus precedentes, y la sitúa en el marco de una teoría narrativa de la experiencia humana y una teoría hermenéutica de la lectura entendida a través de los fenómenos de la retroprospección y la retroacción. This paper expounds the notion of plagiarism by anticipation, put forward by the French critic Pierre Bayard, as well as its precedents, and situates it within the framework of a narrative theory of human experience and a hermeneutic theory of reading based on the phenomena of prospective hindsight and retroaction.
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Enthymema
VIII 2013!
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Retroprospecciones+Intertextuales:+
a+propósito+de+Pierre+Bayard+y+el+plagio+por+anticipado+
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José+Angel+García+Landa+
University+of+Zaragoza,+Department+of+English+and+German+Philology+
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!
Abstract+
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Retroprospecciones+Intertextuales++
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Enthymema,+VIII+2013,+p.+290+
http://riviste.unimi.it/index.php/enthymema+
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!
Enthymema,+VIII+2013,+p.+292+
http://riviste.unimi.it/index.php/enthymema+
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Transtextualidad y metaficción en el falso documental: el discurso autorreferencial en "The Unmaking of"
Article
Full-text available
El arte ha elaborado un discurso metalingüístico y autorreferencial desde el comienzo de la actividad humana. En el cine, títulos como Sunset Boulevard o Cinema Paradiso han mostrado el interés en la plasmación de la praxis cinematográfica a través del séptimo arte, siendo sin embargo menos frecuente la realización de un ejercicio de transtextualidad, autorreferencialidad y metaficción bajo un mismo título. Éste es el caso de The Unmaking of, galardonada cinta de Juan Manuel Chumilla Carbajosa que encierra un paso más en la metaficción, al tratarse de un ejercicio metalingüístico dentro de un falso documental, caso único en la cinematografía española que merece un estudio en profundidad.
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Transtextuality and metafiction in fake documentaries: Self-Referential discourse in The Unmaking of
Article
Full-text available
  • Nov 2014
The universe of Art has been prone to resort to transtextuality and metalanguage since the beginning of the human activity. Films like Sunset Boulevard or Cinema Paradiso have shown the interest in the expression of the cinematographic praxis through its own tools. However, it is not frequent to find self-referential and transtextual language in the field of fake documentary; this is the case of The Unmaking of, an awarded movie made by Juan Manuel Chumilla Carbajosa which represents a step forward in metafiction since it is a self-referential film into the frame of a fake. A metalinguistic movie, unique in the Spanish cinematography, that deserves to be studied in depth.
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The Rhetoric of Fiction
Article
  • Jan 1983
The first edition of The Rhetoric of Fiction transformed the criticism of fiction and soon became a classic in the field. One of the most widely used texts in fiction courses, it is a standard reference point in advanced discussions of how fictional form works, how authors make novels accessible, and how readers recreate texts, and its concepts and terms—such as "the implied author," "the postulated reader," and "the unreliable narrator"—have become part of the standard critical lexicon. For this new edition, Wayne C. Booth has written an extensive Afterword in which he clarifies misunderstandings, corrects what he now views as errors, and sets forth his own recent thinking about the rhetoric of fiction. The other new feature is a Supplementary Bibliography, prepared by James Phelan in consultation with the author, which lists the important critical works of the past twenty years—two decades that Booth describes as "the richest in the history of the subject."
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José A The Pragmatics of Understanding and Misunderstanding
  • Jan 1998
  • 57-72
  • García Landa
García Landa, José A The Pragmatics of Understanding and Misunderstanding. Ed. Beatriz Penas. Zaragoza: Universidad de Zaragoza, 1998. 57-72. Impreso. ---Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed.
Small World: An Academic Romance. Londres: Secker
  • Jan 1984
  • 296
  • David Lodge
Lodge, David. Small World: An Academic Romance. Londres: Secker, 1984. Retroprospecciones Intertextuales José Angel García Landa Enthymema, VIII 2013, p. 296
57-72. Impreso. --- Hans-Georg Gadamer: Ontología estética y hermenéutica
  • Jan 1998
  • Zaragoza
Zaragoza: Universidad de Zaragoza, 1998. 57-72. Impreso. --- Hans-Georg Gadamer: Ontología estética y hermenéutica. Ed.
Madrid: Dykinson, 2005. 679-88. Impreso. [Edición en red: <http://unizar.academia
  • 641129
  • Teresa Oñate Y Zubía
  • Cristina García Santos
  • Quintana Paz
Teresa Oñate y Zubía, Cristina García Santos y Miguel Ángel Quintana Paz. Madrid: Dykinson, 2005. 679-88. Impreso. [Edición en red: <http://unizar.academia.edu/Jos%C3%A9AngelGarc%C3%ADaLanda/Papers/641129
Angel Heart Guión de Alan Parker, basado en la novela de William Hjortsberg Actores: Mickey Rourke
  • Jan 1987
  • Alan Parker
Parker, Alan, dir. Angel Heart. Guión de Alan Parker, basado en la novela de William Hjortsberg. Actores: Mickey Rourke, Robert de Niro, Lisa Bonet, Charlotte Rampling. Carolco / Winkast / Union, 1987. Película.
París: Seuil, 1972. Impreso. The Figure in the Carpet and Other Stories
  • Jan 1986
  • 189-232
  • Gérard Genette
  • Figures
  • Iii
Genette, Gérard. Figures III. París: Seuil, 1972. Impreso. The Figure in the Carpet and Other Stories. Ed. Frank Kermode. Harmondsworth: Penguin, 1986. 189-232. Impreso.
Small World: An Academic Romance. Londres: Secker, 1984. Enthymema, VIII
  • Jan 2013
  • 296
  • David Lodge
Lodge, David. Small World: An Academic Romance. Londres: Secker, 1984. Enthymema, VIII 2013, p. 296