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Cosmic Hunt: Variants of Siberian-North American Myth

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  • Museum of Anthropology & Ethnography (Kunstkamera)

Abstract and Figures

The mythological motif of the Cosmic Hunt is peculiar to Northern and Central Eurasia and for the Americas but seems to be absent in other parts of the globe. Two distinct Eurasian versions demonstrate North-American parallels at the level of minor details which could be explained only by particular historical links between corresponding traditions. The first version (three stars of the handle of the Big Dipper are hunters and the dipper itself is an animal; Alcor is a dog or a cooking pot) connects Siberian (especially Western Siberian) traditions with the North-American West (Salish, Chinook) and East (especially with the Iroquois). The second version (the Orion’s Belt represents three deer, antelopes, mountain sheep or buffaloes; the hunter is Rigel or other star below the Orion's Belt; his arrow has pierced the game and is seen either as Betelgeuze or as the stars of Orion's Head) connects the South-Siberian – Central-Eurasian mythologies with traditions of North-American West – Southwest. Both variants unknown in Northeast Asia and in Alaska probably date to the time of initial settling of the New World. The circum-Arctic variant(s) (hunter or game are associated with Orion or thePleiades) are represented by neighbouring traditions which form an almost continuous chain from the Lapps to the Polar Inuit. This version could be brought across the American Arctic with the spread of Tule Eskimo.
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THE COSMIC HUNT: VARIANTS OF A
SIBERIAN -– NORTH-AMERICAN MYTH *
Yuri Berezkin
Abstract
The mythological motif of the Cosmic Hunt is peculiar to Northern and Cen-
tral Eurasia and for the Americas but seems to be absent in other parts of
the globe. Two distinct Eurasian versions demonstrate North-American par-
allels at the level of minor details which could be explained only by particular
historical links between corresponding traditions. The first version (three
stars of the handle of the Big Dipper are hunters and the dipper itself is an
animal; Alcor is a dog or a cooking pot) connects Siberian (especially Western
Siberian) traditions with the North-American West (Salish, Chinook) and
East (especially with the Iroquois). The second version (the Orion’s Belt rep-
resents three deer, antelopes, mountain sheep or buffaloes; the hunter is
Rigel or other star below the Orion's Belt; his arrow has pierced the game and
is seen either as Betelgeuze or as the stars of Orion's Head) connects the
South-Siberian – Central-Eurasian mythologies with traditions of North-
American West – Southwest. Both variants unknown in Northeast Asia and
in Alaska probably date to the time of initial settling of the New World. The
circum-Arctic variant(s) (hunter or game are associated with Orion or the
Pleiades) are represented by neighbouring traditions which form an almost
continuous chain from the Lapps to the Polar Inuit. This version could be
brought across the American Arctic with the spread of Tule Eskimo.
Keywords: comparative, Siberian, Central Asian, American Indian, Eskimo
mythology; star names in folk tradition; settling of America
The mythological motif of the Cosmic Hunt (F59.2 according to
S. Thompson’s index (Thompson 1955–1958)) is defined as follows:
certain stars and constellations are interpreted as hunters, their
dogs, and game animals, killed or pursued. This motif forms the
core of the tales typical for northern and central Eurasia and for
the Americas but is rarely, if at all, known on other continents. In
the folklore of the aborigines of Australia only some texts from Vic-
toria have any relation to our theme. According to them, two broth-
ers kill a cannibal emu. One of the stars is considered to be its eye
and the dark patch between the Southern Cross and Centaurus its
body (Waterman 1987: 99, no. 3860). No hunt is described, and the
emu is not a game but an enemy, a monster.
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We can conclude that the spread of the Cosmic Hunt motif itself is
evidence in favour of mythological links between Siberia and the
Americas (Fig. 1). Such links become more specific as to their area
distribution if we address the particular variants of the motif (Figs.
4–5).
The combinations of stars which form constellations recognized by
the Europeans and by people of other continents rarely coincide.
Only Orion, the Pleiades, and (in the Northern Hemisphere) the
Big Dipper have such characteristic outlines that they play some
role in most of the world mythologies (Gibbon 1964: 1972). How-
ever, the relative stability of the composition of these constella-
tions makes the diversity of their associations even more obvious.
Among the Munda and Dravidian groups of Western Bengal, Bihar,
Orissa and Madhya Pradesh, the Big Dipper is a bed with one leg
broken off (Elwin 1938: 156; 1939: 335; Roy & Roy 1937: 431), among
the Muskogeans of the American Southeast, it is a canoe (Swanton
1928: 478), among the Californian Numic Indians it is a net put out
The Cosmic Hunt
Figure 1. Area distribution of the Cosmic Hunt tales in the Old and in the New Worlds.
For shaded areas data is not available or unprocessed.
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by the Rabbit (Driver 1937: 87), among the Alaskan and Western
Canadian Athabaskans it is a one-legged man (Jenness 1934: 248–
249, no. 66; McClelland 1975: 78; Nelson 1983: 39; Teit 1919: 228–229,
no. 5). For most of the Indians of Guyana, Orion is a one-legged man,
while the Yupic Eskimo of Alaska interpret the Big Dipper as poles
with skin ropes tied to them (Nelson 1899: 449). Such examples are
truly numerous.
As for the particular form of the hunt, the communal hunt with
many animals driven by a crowd of people is never described.
The celestial hunters always pursue the only game animal or a
small group or such animals. For example, in a myth of the Car-
rier Athabaskans of British Columbia, the stars of the Big Dip-
per are the hunters and the Pleiades are the caribou (Jenness 1934:
137–141, no. 7). Usually the hunters pursue one big mammal such as
a bear, an elk, a dear, an antelope, a mountain sheep, or a tapir. Only
in the myths of the Chacoan and Patagonian Indians of South
America is the game a big bird, the rhea.
THE FIRST (WESTERN-SIBERIAN) VARIANT
The first variant of the Cosmic Hunt is conditionally named the
Western Siberian one. Several men pursue an elk (in most of
Eurasian versions) or a bear (in most American tales), the hunters
being associated with the stars of the handle of the Big Dipper, and
the animal with the dipper itself. As a Polar constellation, the Big
Dipper could easily attract the interest of the people of the North-
ern Hemisphere, but the stable association of the hunters and of
the animal with certain stars cannot be due to this fact alone. Be-
sides, in the Arctic where the Big Dipper is seen best of all, it does
not play any role in the Cosmic Hunt tales.
The peculiarity of this variant of the myth is much strengthened by
the fact that a weak star near Mizar (the second star of the handle)
is interpreted as a cooking pot carried by one of the hunters (see
Figs. 2, 4). Such a motif is known to the Khanty (Lukina 1990: 69, no.
9; Potanin 1883: 778), the Selkup (Prokofeva 1961: 64–65; 1976: 198),
the Ket (Alekseenko 1976: 84–85), the Khakas (Radlov 1907: 273–
274, no. 181) and to the western (but not to the southeastern) Evenk
(Vasilevich 1936: 274–275, no. 2; 1959: 162–163). In America it is found
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again among the Iroquois, both the northern (Smith 1883: 81), in
particular, the Seneca (Curtin 2001: 503–504; Curtin & Hewitt 1918:
276–277, no. 54), and the southern Iroquoian speakers, i.e. the
Cherokee (Hagar 1906: 357). The Cherokee are Iroquoian speakers
but they are not Iroquois proper. These are the Seneca, the Cayuga,
the Oneida, the Onondaga, and the Mohawk, the tribes who joined
together to form the Iroquois Confederacy. So this allows to pre-
sume the existence of the motif at least at the time of the Iroquois
language unity, because the Northern and the Southern Iroquois
were not in direct contact in historic times.
There are other mythologies in which the four stars of the Big Dip-
per represent an animal (or a storehouse which the animal has ap-
proached), and the three stars of the handle are described as the
hunters. Such ideas are recorded among the Orochon Evenks, the
Udeghe, and the Oroch of the Russian Far East (Avrorin &
Kozminski 1949: 328; Bereznitski 2003: 80; Mazin 1984: 9–10;
Podmaskin 1991: 12). In America, they were known to the Coastal
and Interior Salish, including the Lillooet, Thompson, Shuswap
(Elliott 1931: 180; Teit 1917a: 16, no. 3)1, Hakcomelem (Boas 1916:
604, no. 61), Snohomish (Clark 1953: 149), Coeur d’Alene (Teit 1917b:
125–126, no. 3; Teit & Boas 1930: 178–179), and possibly, Twana
Ursa Major
Alcor Mizar
Hunters
Animal
Figure 2. Schematic position of the main stars of the Big Dipper.
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(Elmendorf 1960: 537). The same version was known to some
Chinook groups, the neighbours of the Salish (Clark 1953: 153–155;
Hines 1996: 32–35, no. 5). In eastern North America, the constella-
tion was interpreted in the same way by the Mohawk Iroquois
(Rustige 1988: 32–34) and by several Algonkian people to the west
(the Fox) (Jones 1907: 71–75, no. 4) and to the east of the Iroquois
(the Lenape, the Micmac, maybe to the Penobscot) (Gibbon 1972:
243; Hagar 1900: 93–97; Speck 1935b: 19). This interpretation of the
Big Dipper is mentioned by the late 17th – early 18th century sources
on the inhabitants of Eastern Canada and New England (Allen 1899:
423). For other Algonkian groups of the Midwest and Eastern
Canada (Menomini, Ojibwa, Naskapi) the Big Dipper was a fisher
(Martes pennanti) with an arrow stuck into its tail (Bloomfield 1928:
247–253, no. 86; Hagar 1900: 93–94; Speck 1925: 28–31; 1935a: 66–69).
In many of the versions described above, a certain weak star con-
tinues to play some role though its interpretation is different, be-
ing not a cooking pot but a dog of one of the hunters. In Siberia,
such an interpretation is typical for the Orochon Evenk, the Udeghe
and the Oroch, and in America, among the Salish, the Chinook, the
Mohawk, the Lenape, and the Fox. In all cases when our sources are
adequate enough, they identify this star with Alcor. On the star map,
Alcor is very near to Mizar (second star of the handle) and the ca-
pability to see this weak star was always a test to prove one’s sharp
sight. It seems that Alcor was the smallest of the sky objects sin-
gled out in the pre-scientific era, the fact reflected in the Ancient
and Medieval Chinese, Arab, and Latin texts (Allen 1899: 445–446;
Gibbon 1964: 239)2.
In connection with the Cosmic Star tale, the Big Dipper without
the associations mentioned above (the handle as three hunters, Alcor
as a pot or a dog) appears in several other Eurasian and North
American stories. Interpretations found in the Khakas (seven foxes)
(Alekseev 1980: 87–88; Potanin 1893: 322), Nenets (elk) (Semenov
1994: 115), Ob-Ugrian (elk) (Lukina 1990: 67–69, no. 6; 297, no. 110;
Okladnikov 1950: 299; Potanin 1893: 385), Evenk (elk) (Anisimov
1959: 15; Vasilevich 1959: 162–163) tales do not change the geogra-
phy of the image in question, but the Ancient Greek (bear) (Pausanias:
VIII 3, 3), Mari (she elk with her calf) (Potanin 1883: 713) and
Chuvash examples (mounted hunters with their dogs) (Ashmarin
1984: 26) prove that the Cosmic Hunt myth describing with the Big
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Dipper as the main sky object was known not only in Asia but also
in Europe. In the Bering Sea region, the Koryak, the Kamchadal
and the Aleuts identified the Big Dipper with a deer or elk (Bogoras
1939: 29; Krasheninnikov 1994: 22, 160; Potanin 1883: 942) but there
is no data on any connection of this image with the Cosmic Hunt
myth.
The second (Central-Asian) variant
The Turkic and Mongolian cases of the Central-Asian variant of the
Cosmic Hunt myth were studied in detail by S. Nekliudov (1980).
This variant is known across all the area from southern Siberia to
India. The most important sky objects are the three stars of Orion’s
Belt interpreted as three deer or antelopes (see Figs. 3, 5). One of
the neighboring stars is an arrow (or a bullet in later versions),
shot by the hunter to hit the animals. Such texts, some of them rich
in details, others not, are recorded among the Kazakhs (Potanin
1972: 54), the Kirgiz (Brudnyi & Eshmambetov 1989: 350), the Tibet-
ans (Okladnikov 1950: 300 (based on G. N. Potanin’s materials)), the
Tuvinians (Diakonova 1976: 285; Potanin 1883: 206, no. 38n), the Altai
(Garf & Kuchiiak 1978: 179–181; Nikiforov 1915: 251–252; Potanin
1883: 204, nos. 38b, 38c; Surazakov 1982: 127–128, 134), the Teleut
(Potanin 1883: 204, no. 38a), the Telengit (ibid.: 204–205, nos. 38d,
38e), the Khakas (Butanaev 1975: 236–237; Butanaev & Butanaeva
2001: 59–61; Radlov 1907, N 181: 273–274), the Tofa (Katanov 1891:
51; Rassadin 1996: 9–10, no. 2), the Buriat (Zhambalova 2000: 283;
Potanin 1883: 206, no. 38L; Khangalov 1960: 16, no. 10; Sharakshinova
1980: 58), and the Mongol (Potanin 1883: 205, 38g). There is not enough
data on the cosmography of Xinjiang but the existence of a Tibetan
version enables to suggest that the area of the motif encompassed
all Central Asia and that the Uigur were familiar with the story
just as well as other Turkic-speaking peoples of the region. The In-
dian version is similar to the Central Asian ones, though not quite
identical with them (Orion is a stag, three stars of Orion’s Belt rep-
resents an arrow that has pierced the animal (Gibbon 1972: 245)). It
could well have been brought to South Asia by the Indo-Arians. No
Cosmic Hunt is known in China where the Big Dipper was a locus
rather than a personage (Allen 1899: 435; Riftin 1980: 655–656). In
western and eastern Siberia, the borderline between the Central-
Asian and the Western-Siberian variants coincides with the fron-
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tier between the Turkic and Mongolian people to the south, and the
Uralic, Yenissei and Tungus people, to the The Cosmic Hunt: Vari-
ants of a Siberian – North-American Mythnorth. Both geographi-
cally and thematically, the Khakas version from Radlov’s collection
(Radlov 1907: 273–274, no. 181) is between the main types. Unlike
other Khakas variants, it belongs to the West-Siberian type, but
hunters pursue not an elk but two deer.
Just as the Western Siberian variant, the Central-Asian one has
analogies in North America, in particular in the southwestern part
of the continent across the Great Basin, Southern California, North-
western Mexico, and the Great Southwest. Corresponding texts are
recorded among different Yuman peoples, among the Seri (prob-
ably distantly related to the Yuma), among the tribes of the Numic
and Takic divisions of the Ute-Aztecan family, and among some
Apachean groups. The latter could hardly bring these ideas from
their Canadian homeland but borrowed them from some of their
Southwestern neighbors. Only the Algonkian Gros Ventre version
(the Northern Plains) stands territorially slightly apart from the
others. Among the Paviotso (Curtis 1976: 147–148; Lowie 1924: 232–
234, nos. 12), Chemehuevi (Fowler 1995: 147–148), Yavapai (Gifford
1933a: 381–382, 413–414), Maricopa (Spier 1933: 146–147), Kiliwa
(Meigs 1939: 69–78), and Gros Ventre (Kroeber 1908: 280) the Orion’s
Betelgeuze
Orion’s
Belt
Orion’s
Sword
Rigel
Three Antilopes
Head Orion
Figure 3. Schematic position of the main stars of the Orion.
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Belt represents three ungulates (mountain sheep, antelopes, buffa-
loes), pursued by hunters. Among the Mojave (Fowler 1995: 147),
Tipai (Drucker 1937: 26), Cocopa (Gifford 1933b: 286), Seri (Kroeber
1931: 12), the Takic (Cahuilla, Luiseño, Cupeño) (Hooper 1920: 362;
Drucker 1937: 26), Western Apache, Mescalero, Lipan and Southern
Ute (Gifford 1940: 60, 155, no. 2266), three stars of Orion’s Belt are
interpreted as one single animal. When additional details are avail-
able, the Orion’s Sword is always associated with the feathered tail
of the arrow and the stars of the Orion’s Head are the arrow tip.
The stars identified with the hunter are in every case below Orion’s
Belt. That is also typical for all Turkic and Mongolian versions. The
only difference is that in Asia the arrow that has pierced animals is
considered to be smeared with their blood and is accordingly asso-
ciated not with the Orion’s Head but with Betelgeuse, the bright
red star slightly to the left. Similar interpretation is, however, in-
cluded in some American versions. At least the Cahuilla identified
the hunter with Rigel which is on the other side of Orion’s Belt
directly opposite Betelgeuse. Identified with Rigel, the hunter has
to shoot in the direction of Betelgeuse. In the Apachean myths,
Betelgeuse grew red from anger when the arrow missed its aim
(the mountain sheep) and almost hit this star.
The association of three bright stars of Orion’s Belt with three ani-
mals or persons could well appear independently (cf. Spanish Tres
Marías). However, the arrow tip associated with one of the bright
celestial objects above the Orion’s Belt (Orion’s Head or Orion’s
Shoulder, i.e. Betelgeuse) is too specific to be a random coincidence.
The third (Circum Arctic) variant
This series of tales is not so uniform as the two previous ones, and
consists of two or three separate versions in all of which the Orion
and/or the Pleiades are associated not with the animals but with
the hunters. Among the North-Alaskan Inupiaq, the hunters (the
Pleiades) pursue polar bear (Aldebaran) (Gibbon 1964: 245; Simpson
1875: 272). The Mackenzie River Eskimo mention dogs in the sky
which accompany hunters (Ostermann 1942: 78). In this case, no
association with constellations is provided, but among the Copper
Eskimo, closely related to the Mackenzie groups, men who pursue
the bear are the stars of the Orion’s Belt (Rasmussen 1932: 23). For
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the Netsilik Eskimo farther to the east, hunters and their dog pur-
sue a bear and are associated with the Pleiades (Rasmussen 1931:
211, 263, 385). For the Iglulik and the Polar Eskimo, the Pleiades
are dogs and a bear which they encircled (Holtved 1951: 50–55, no.
6; Kroeber 1899: 173–174, no. 10), while for the Labrador Eskimo
bear and dogs seem to be identified with the Orion (Kroeber 1899:
173, no. 10). For the Baffin Land Eskimo, Betelgeuse was the bear,
Orion’s Belt represents the hunters, and Orion’s Sword was the
dog-sledge (Boas 1888: 636–637).
All these Cosmic Hunt stories have been recorded among the Inuit –
Inupiaq branch of the Eskimo with no such a story in Alaskan Yupic
folklore. Like many other tales, the Inuit-Inupiaq Cosmic Hunt
myths find parallels not in Southwestern Alaska, but to the west of
the Bering Strait. Among the Chukchi and the Koryak, the Orion
(i.e. the hunter) pursues the reindeer associated with the Pleiades
or Cassiopeia (Bogoras 1924: 243; 1939: 25, 28–29). Much further to
the west, the Lapp version is the nearest parallel for the Chukchi
one (Billson 1918: 180; Kharuzin 1890: 347; Potanin 1893: 328, no.
87). According to it, the hunter is also Orion, and the elk or rein-
deer pursued by him is Cassiopeia.
The Yukagir cosmology is poorly known. The Mestizos of Markovo
(with a probable Yukagir substratum) describe the Big Dipper as
an elk pursued by three brothers and three sisters (Diachkov 1992:
232), their story being somewhat similar to the Evenk ideas. In Yakut
myths the Orion pursues the elk (Ergis 1974: 135; Seroshevski 1896:
660), the Big Dipper is not mentioned. The Yakut tradition is het-
erogeneous. Some versions describe a lonely hunter whose ski path
turned into the Milky Way, which is typical for some Western Sibe-
rian, Tungus, Negidal and Ugedhe-Oroch stories. Other Yakut tales
not relevant to the origin of the Milky Way, describe a group of hunt-
ers. In America the interpretation of the Milky Way as a ski path is
present across Alaska and British Columbia among the Tlingit (De
Laguna 1972: 875–879; Swanton 1909: 102, no. 31; 296–298, nos. 96–
97), Central Yupic (Krenov 1951: 194; Nelson 1899: 449), Ingalik
(Vanstone 1978: 61) and Tahltan (Teit 1919: 229, no. 6), but only among
the Tlingit is this image connected with the Cosmic Hunt tale. Among
the Even (Lamut) three hunters who pursue mountain sheep are
associated with the Pleiades (Burykin 2001: 113, no. 22). The Pleiades
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mentioned in one of the Nganasan versions are hunters who catch
the reindeer with a net (Popov 1984: 48).3 The association of hunt-
ers with Orion or with the Pleiades is a feature shared by Yakut,
Nganasan, Even and the Chikchi – Inuit versions.
Conclusions
The first and the second variants of the Cosmic Hunt tale demon-
strate Eurasian–North-American parallels at the level of minor de-
tails which could be explained only by particular historical links
between the corresponding traditions. According to the first vari-
ant, three stars of the handle of the Big Dipper are hunters and the
dipper itself is an animal, while a weak star of the handle, most
probably, Alcor, occupies a special place in this picture. Its associa-
tion with a dog and especially with the cooking pot carried by the
second hunter is highly specific and could not emerge independ-
ently in Asia and in America. 4
The second variant of the Cosmic Hunt contains such specific
details as the association of the three stars of Orion’s Belt with
three deer, antelopes or mountain sheep and especially the asso-
ciation of the hunter’s arrow (or its point) with Betelgeuse or with
the group of stars which form the Orion’s Head.
Estimating the possible time sequence of the penetration of the
described variants of the myth into the New World, we should take
into consideration how distant from the Bering Strait the corre-
sponding areas are. The deeper into inner Asia and inner America,
the less probable is a recent spread of the myths. The Western Sibe-
rian and Central-Asian variants are differently localized both in
the Old and in the New World. To understand relations between
them, we should remember another Eurasian–North American mo-
tif, i.e. the transformation of seven brothers into the Big Dipper. Its
area in the Old World largely coincides with the area of the second
variant of the Cosmic Hunt. In America, it occupies the Plains, i.e. is
inbetween the Salishan (the western) and Iroquois – Algonkian (the
eastern) parts of the area of the tale about three hunters who pur-
sue a bear (Berezkin 2003: 100). The Western-Siberian variant of
the Cosmic Hunt contains details which are also found in the Seven
Star Brothers story. In both cases, the principal stars of the Big
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Dipper (all seven or only three stars of the handle) are separate
persons and not one man or object like a carriage, a bed, etc. In the
Seven Brothers tales of the Plains Indians, Alcor also plays its spe-
cial part being identified with a younger sister of the brothers
(Blackfoot (Spence 1985: 182–184)), their younger brother or child
(Crow (Lowie 1918: 126), Cheyenne (Erdoes & Ortiz 1984: 205–209),
Wichita (Dorsey 1904: 74–80, no. 10)) or with the sister’s dog (Sarsi
(Simms 1904: 181–182), Crow (Lowie 1918: 205–211)).
The Central-Asian variant of the Cosmic Hunt myth and the Seven
Star Brothers’ motif could have been brought to America by
migrational episodes which were close to each other in time. Most
probably, it was the time when a large set of motifs recorded across
Central Eurasia, on one hand, and across the Plains and Midwest,
on the other, was brought across the Bering Strait (Berezkin 2003;
Orion & Dipper
1
2
3
Figure 4. Area distribution of the first and the second variants of the Cosmic Hunt tale
(the Big Dipper is three hunters and their dog). 1 – three stars of the handle are hunters,
dipper is an animal, 2 – Alcor is a cooking pot. 3. – Orion’s Belt is three or one ungulate
animal(s); either Betelgeuse or the Orion’s Head is the hunter’s arrow.
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2004). The absence of these motifs in South America makes improb-
able their connection with the initial stages of the settling in the
New World. As for the Western Siberian variant, geographically lo-
calized nearer to Chukotka and Alaska, it could have reached North
America later. In both cases, however, we speak about the time be-
fore the spread of the Eskimo, Paleoasiatic, Tlingit and Athabaskan
groups across Eastern and Western Beringia. The problem of
Paleoasiatic origins is beyond the scope of this paper, still we should
notice a fact which can direct the search. Among the Chukchi, the
Orion was considered to be a humpback since the time when his
jealous wife (constellation of Leo) hit him with a heavy board be-
cause of the attention he paid to the Pleiades women (Bogoras 1939:
24). A similar plot was recorded among the “Tangut”, i.e. the Tibet-
ans of Chinghai. Gachari (a certain red star), a jealous husband of
the Pleiades, broke Orion’s back with a stone because of his sup-
posed interest in Gachari’s wife (Potanin 1893: 327). Such a parallel
is not a proof of any special connections between the Chukchi and
the Tibetans, but it still is an argument in favour of the inner Asian
homeland of some of the Paleoasiatic ancestors.
In the case of the third, circumpolar variant of the Cosmic Hunt, it
is totally possible that the Lapp and the Chukchi versions which
identify the hunter with the Orion have preserved the form of the
myth widespread across the Far Northern Asia before the relatively
recent migration of the Samoyed, Turkic and Tungus peoples. The
absence of this version among the Yupic and its presence among
the Inuit-Inupiak make one suggest that it had penetrated the East-
ern Arctic only after the BC/AD transition together with the neo-
Eskimo Thule tradition. The Inuit Eskimo texts have little in com-
mon with the Cosmic Hunt tales of the American Indians. The Arc-
tic variant with the Orion being the hunter is separated from other
American versions by the Subarctic where in the Athabaskan my-
thologies the “astral code” is quite undeveloped (McKennan 1959:
110). No Cosmic Hunt tales have been also recorded among the
Muskogean and other non-Iroquois peoples of the Southeast or in
Mexico (besides the Seri) and Lower Central America. This fact sup-
ports the hypothesis about different Eurasian origins of the sepa-
rate groups of American natives, not only the Eskimo, the Aleuts,
and the Na-Dene, but of different Amerindian tribes.
Yuri Berezkin
91 www.folklore.ee/folklorewww.folklore.ee/folklore
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www.folklore.ee/folklore
Acknowledgements
The creation of the Catalogue of Mythological Motifs of America and
Eurasia (about 35,000 abstracts of texts) and the research on its base
have been supported by the Program of Basic Research of the Presidium
of the Russian Academy of Sciences (RAS) Ethnocultural interaction in
Eurasia, by the Russian Fund of Basic Research (grant 04-06-80238,
and by the Presidium of St. Petersburg branch of the RAS (2004 grant).
The Catalogue (in Russian) is available at http://www.ruthenia.ru/folk-
lore/berezkin
Comments
1 The published Thompson and Shuswap texts are sparce in details, but
take into consideration the language and cultural proximity of both
groups to the Lillooet and the basic similarity of the Cosmic Hunt myths
in all these cases, the identification of the handle with three hunters and
the dipper itself with the animal for Thompson and Shuswap is very
plausible.
1
2
The Cosmic Hunt: Arctic versions
Figure 5. Area distribution of the third variant of the Cosmic Hunt tale.1 – hunter is the
Orion, game animal is Cassiopeia or the Pleiades; 2 – hunter is the Pleiades.
The Cosmic Hunt: Variants of a Siberian – North-American Myth0
Folklore 31
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2 It is possible that the Christian and Muslim legend about “The Seven
Sleeping Boys of Efesos” was also connected with the interpretation of
the Big Dipper as seven men and their dog. According to the widespread
version, six righteous lads ran away from an impious king and hid them-
selves in a cave accompanied by a shepherd with his dog whom they met
on the way. They slept for many centuries, awoke, told their story and
died. There is a version with seven lads and a dog which went after them
(Snesarev 1983: 131–135). Though the dog does not play a significant
role in this story, it is persistently mentioned, possibly because of the
etiological nature of all the tale (the dog being the weakest star of the
constellation).
3 The Pleiades represent a group of hunters in all those Amazonian Cos-
mic Hunt myths in which the corresponding constellation could be iden-
tified. These are Akavaio or Kariña (Roth 1915: 265–266, no. 211), Kaliña
(Magaña 1983: 32, no. 1), Siona and Secoya (Vickers 1989: 161–167),
Kamaiura (Münzel 1973: 187–190; Villas Boas & Villas Boas 1973: 171–
173). Such a parallel is not, of course, enough to suggest common roots
for Siberian and Amazonian versions.
4 If so, we must conclude that the distant ancestors of the Iroquois were
able to cook meat in pots before their migration to the New World. There
is no doubt that vessels of wood, skin, waterproof baskets with liquid
made to boil with hot stones thrown into it, were used well before the
invention of ceramics. A possible argument in favour of such a hypoth-
esis is similar spelling of words which mean ‘vessel’ in Indoeuropean,
Uralic, Dravidian and Yukagir languages (Napolskikh 1989). However,
it could be also a result of a relatively late spread of a cultural term for
ceramic pot (Vladimir Napolskikh, from personal communication, 2004).
The problem remains unresolved, and the data of comparative mythol-
ogy are of interest for its investigation.
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Yuri Berezkin
... Ojibwe (9) present Pardhi (3) present Pawnee (11) 20th c. ...
... Quechua (4) 20th c. (80) 1952 Romania (37) 1907 Ruelle (74) 1786 Russia (4) present Sahtúot n (1) present Sami (3) 19th c. (14) present Sardinia (11) present Seri (12) present Sioux (13) present Thai (9) present Tikuna (4) present Tonga (11) late 19th c. ...
... Tzotzil (9) 20th c. ...
Preprint
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We answer the question whether, when forming constellations on the night sky, people in astronomical cultures around the world consistently imagine and assign the same symbolism to the same (type of) star cluster. Evidence of such semantic universality has so far been anecdotal. We use two complementary definitions for a star cluster: defined either by its location on the sky, or by the shape and brightness properties of the star pattern. Over a dataset of 1903 constellations from 75 cultures, we find a number of universal ways to form constellations: humanoids, reptiles, groups and geometric shapes are consistently assigned to particular star patterns across cultures, and we find numerous surprising examples of semantics being also often assigned across cultures to certain sky regions (such as man-made objects in IAU Del, body parts in IAU Tau, or fish in IAU Sco). We hypothesise that many of these commonalities are natural effects of the star pattern (which resembles the real object behind the symbolism), more than cultural effects due to cultural transmission.
... The literature shows similarities between cultures based only on selected constellations: the Big Dipper asterism connects western Siberian with western N-American traditions, and Orion's Belt connects central Eurasian with (south)western N-American, perhaps Mesoamerican, and some Polynesian traditions [14,19,20]. No study quantified the visual complexity of line figures, nor the association between that and culture type, by which cultural (dis)similarities can be studied at scale. ...
... Since the background data is fixed, a complementary hypothesis arises: the sky background itself may be the significant driver of constellation shapes, overpowering the role of the culture typology. Variants of the Big Dipper, Orion, and other star groups recur across cultures [19,21], but does diversity remain in the design of line figures? We answer the question: ...
... In particular, the Western cultures are mixed: they contain some constellations with an originally religious role (those inherited from Mesopotamia via the Greek [8,26]), and some originally designed by navigators around the northern pole, on the celestial equator, and in the southern skies [9,26,27]. The practical use of the same star group also changed with the evolution of cultures: while Ursa Major was a navigator's constellation in the Greek tradition [9], its Big Dipper asterism is now part of many agrarian and hunter-gatherer folk cultures [19]. Only the seafaring cultures (of Austronesian, Polynesian ancestry) are geographically apart from most others, so some uniqueness in visual signature is expected. ...
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In traditional astronomies across the world, groups of stars in the night sky were linked into constellations—symbolic representations rich in meaning and with practical roles. In some sky cultures, constellations are represented as line (or connect-the-dot) figures , which are spatial networks drawn over the fixed background of stars. We analyse 1802 line figures from 56 sky cultures spanning all continents, in terms of their network, spatial, and brightness features, and ask what associations exist between these visual features and culture type or sky region. First, an embedded map of constellations is learnt, to show clusters of line figures. We then form the network of constellations (as linked by their similarity), to study how similar cultures are by computing their assortativity (or homophily) over the network. Finally, we measure the diversity (or entropy) index for the set of constellations drawn per sky region. Our results show distinct types of line figures, and that many folk astronomies with oral traditions have widespread similarities in constellation design, which do not align with cultural ancestry. In a minority of sky regions, certain line designs appear universal, but this is not the norm: in the majority of sky regions, the line geometries are diverse.
... The relati vely une volved nature of UFDs make them ideal objects to E-mail: wallerd@uvic.ca † The Cosmic Hunt: Variants of a Siberian -North-American Myth (Berezkin 2005 ). provide insights into galaxy formation and nucleosynthetic events in the early universe. ...
Article
Gaia EDR3 data was used to identify potential members in the outskirts of three ultra faint dwarf (UFD) galaxies; Coma Berenices (>2Rh), Ursa Major I (∼4Rh), and Boötes I (∼4Rh), as well as a new member in the central region of Ursa Major I. These targets were observed with the Gemini GRACES spectrograph, which was used to determine precision radial velocities and metallicities that confirm their associations with the UFD galaxies. The spectra were also used to measure absorption lines for 10 elements (Na, Mg, K, Ca, Sc, Ti, Cr, Fe, Ni, and Ba), which confirm that the chemical abundances of the outermost stars are in good agreement with stars in the central regions. The abundance ratios and chemical patterns of the stars in Coma Berenices are consistent with contributions from SN Ia, which is unusual for its star formation history and in conflict with previous suggestions that this system evolved chemically from a single core collapse supernova event. The chemistries for all three galaxies are consistent with the outermost stars forming in the central regions, then moving to their current locations through tidal stripping and/or supernova feedback. In Boötes I, however, the lower metallicity and lack of strong carbon enrichment of its outermost stars could also be evidence of a dwarf galaxy merger.
... In addition, recent hydrodynamical simulations of low mass galaxies embedded in dark matter halos have shown that star formation is quenched at very early times, consistent with quenching from cosmic reionization (Wheeler et al. 2019;Applebaum et al. 2021). This is similar to the reconstructed ★ The Cosmic Hunt: Variants of a Siberian -North-American Myth, Berezkin (2005). ...
Preprint
Gaia EDR3 data was used to identify potential members in the outskirts of three ultra faint dwarf (UFD) galaxies; Coma Berenices (> 2Rh), Ursa Major I ($\sim$ 4Rh), and Bo\"otes I ($\sim$ 4Rh), as well as a new member in the central region of Ursa Major I. These targets were observed with the Gemini GRACES spectrograph, which was used to determine precision radial velocities and metallicities that confirm their associations with the UFD galaxies. The spectra were also used to measure absorption lines for 10 elements (Na, Mg, K, Ca, Sc, Ti, Cr, Fe, Ni, and Ba), which confirm that the chemical abundances of the outermost stars are in good agreement with stars in the central regions. The abundance ratios and chemical patterns of the stars in Coma Berenices are consistent with contributions from SN Ia, which is unusual for its star formation history and in conflict with previous suggestions that this system evolved chemically from a single core collapse supernova event. The chemistries for all three galaxies are consistent with the outermost stars forming in the central regions, then moving to their current locations through tidal stripping and/or supernova feedback. In Bo\"otes I, however, the lower metallicity and lack of strong carbon enrichment of its outermost stars could also be evidence of a dwarf galaxy merger.
... The hunters or dogs that compose these constellations are usually associated with the stars of Orion's Belt, whereas the Pleiades is typically the animal or groups of animals that they pursue. The collective stories that describe the origin of these constellations fit within a larger mythological motif referred to as the "Cosmic Hunt," which has wide distribution throughout North America and Eurasia (Berezkin 2005). While the Upper Kuskokwim, Dëne Sųłıné, and ...
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The sky and its contents are routinely overlooked in Northern Dene ethnology as a meaningful part of linguistic and cultural knowledge. However, more than 11 years of primary fieldwork learning with and from elders, speakers, and culture bearers from 12 Northern Dene groups across 32 communities in Alaska and Canada has shown that astronomical knowledge is deeply rooted in both practical and sacred ways of knowing. With a focus on detail and breadth, this comparative ethnological study utilized an experience-based approach to investigate the ways in which Northern Dene Peoples perceive, conceptualize, and integrate the sky and its contents into systems of knowledge, practices, worldview, cosmology, and spirituality. At the center of these knowledge systems is a principal constellation often identified as the incarnated spirit of a Traveler-Transformer figure who circled the world in Distant Time. Although this Traveler is widely known in Dene mythology as the one who instilled balance and order in the world, his enigmatic transformation to the sky was traditionally known by spiritually gifted people. The “Traveler” constellation is not only a world custodian and archetype of an idealized medicine person, but it is also a teacher, ally, gamekeeper, and the embodiment of the world. Taken together, the Traveler on earth and in the sky provides a powerful conceptual model for behaviors and actions as a central organizing principle and locus of indigenous Northern Dene worldview, cosmology, and spirituality. Two other subsequent chapters focus on general concepts of stars, minor constellations, and the use of stars in time-reckoning, weather forecasting, and wayfinding. These are followed by a chapter pertaining to the sun and moon as animate and personified beings that also embody fundamental models for proper behaviors and actions. The final chapter, prior to the conclusion, centers on socio-cosmic relationships between the Dene and a host of highly sentient atmospheric phenomena that bridge the divide between the upper cosmos and the lived world of humans. Collectively, this work underscores that the earth and sky are not exclusive of one another but are part and parcel to a unified Northern Dene cosmology and worldview that are deeply grounded in relational significances. This is among relatively few book-length studies in anthropology on the indigenous astronomical knowledge, perceptions, and practices of any extant culture in the world.
... If it is true, following Jan Assmann's idea that myth and history can overlap and the past be fixed in both of them without any relevant distinction (2011,59), it can be assumed that the Fimbulvetr myth may refer to actual historical events. Myths can contain memories, knowledge, science: it is likely that these literary representations stemmed from observation of the skies, the sea, etc. (Berezkin;Reid, Nunn, and Sharpe;d'Huy and Berezkin;Sigurðsson 2018, 392-93). Then, the question is: is Fimbulvetr consistent with the characteristics of the dust veil event? ...
Article
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An increasing number of scholars has associated the Fimbulvetr myth with the dust veil event of 536 CE, due to several apparent consistencies between its representations in eddic tradition, contemporary historical accounts, and modern scientific evidence. In this article such consistencies are first summarized, with the aim of enhancing the debate and explaining why recording the dust veil event could have been important to its witnesses and to the creation of their cultural memory. Dendrochronological and archaeological evidence suggests that the 536 CE event was probably catastrophic, and this article argues that its memory may have been preserved and recorded in myth. The related myth may have had the purpose of handing down important teachings to future generations: the awareness that life is cyclically threatened by natural disasters, the value of humbleness before nature, and the hope that, no matter what happens, humankind is going to survive.
... One notable line of work considers the "cosmic hunt," a story found in various forms across Europe, Asia, and the Americas (Y. Berezkin, 2005;Gibbon, 1964). In a common version of the story, three stars in the handle of the Big Dipper are hunters, and the bowl of the Big Dipper is a bear that the men are pursuing. ...
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Cultural astronomy reveals ways in which perception and culture have shaped the interpretation of the night sky.
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A new religion was founded in 2013 that goes by the name of Astronism while its community of followers are known as Astronists. This article gives a rigorous account of the eschatology, soteriology and worldview of this new space religion while contextualizing its emergence as part of a broader Astronic religious tradition. This proposed tradition may itself possess prehistoric roots in the Upper Palaeolithic in the earliest human observations of the night sky. Human beings in turn came to establish a relationship with celestial phenomena, one of both spiritual and secular utility that has since produced systems of astrotheism and astrology. In the contemporary, the projection of the Astronist theory of history onto the Astronic tradition has meant that Astronism’s salvific doctrine of transcension is established as a grand narrative and universal ethic that unites the Astronic tradition. In essence, this article considers how Astronism, as a new religious movement, is working to revive astronomical religion, albeit in ways relevant in an age of space exploration and appropriate to modern scientific knowledge about humanity’s true place in the universe.
Article
Material structures organised in pairs were significant features within shrines and special buildings of the Near Eastern Epipaleolithic and early Neolithic. These stone and plaster monuments came to bear defining humanoid features that possibly commemorated mythical brothers or twins. The twin god theme appears widely in ethnographies, and is used to define celestial luminaries, divisions of space and the opposing extremes of the seasonal year. Material and environmental evidence of the Pre-Pottery Neolithic phase of the Near East further indicates that these features, replete with early constellation images, monumentalise a calendar-informed cosmology and reveal a significant correlation between cultic monuments, social gatherings and times of the year.
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By the mid-18 th century, whether traveling in the eastern and upper Great Lakes area or on the Great Plains, many explorers and missionaries found a people with a vast knowledge of the night sky. When asked, the indigenous people of the northern Plains and Woodlands were never shy about identifying individual stars or sharing their names, traditions and the belief system that incorporated them. They willingly discussed their names for stars, the planets, constellations, the Milky Way and how all related to their view of the cosmos based on myths and oral traditions. Because of this fortunate interchange, more star names survived in many parts of North America than recorded Anglo-Saxon and Norse individual names (Bender 2020a). Furthermore, unlike the Christian purge of all deemed 'pagan' in Medieval Europe, many Christian missionaries, especially those of the Jesuit Order who arrived in the early part of the 17 th century (Parkman 1983), kept careful records of the Native American creation stories, cosmologies, star names, belief systems and cultural traditions or attributes related to them. It was this fortunate exchange, along with intermarriage and, in the late 19 th and early 20 th centuries, the work of dedicated ethnologists that was largely responsible for the survival of many parts of the cultural beliefs, star names and traditions of the eastern Woodland and Plains people. Without this foresight, all would have likely vanished during not only the first one hundred fifty years of European colonization, but what followed in the second one hundred fifty years. However, now a century later, the remaining traditional knowledge of how 'the people' view the universe and world around them is fast disappearing with the death of the traditional elders and Native language speakers. In response, and because of a personal request to me by members of two tribes to record the last of the stories, names and traditions before we all vanish from this earth, a list of the known individual star names and traditions prevalent in the northern Plains and Woodland cultures has been compiled. The list and this paper are the result of thirty years of friendship and trust, conducting public programs on the reservations, personal interviews, and research delving into the historical and ethnological reports that recorded Native star names and traditions.