The constant alteration of cultural identities accompanies our imaginings of the city. Questions like "What is a city?", "Who am I in it?", and "Who is the Other?" touch on the issue of social boundaries and emotional mapping. Comparisons of the city to the body as expressed in architecture, design, and urban planning vary, but the city as a site of emotions is often left unexplored. City is about the organic urban body. Although high-rise and masculine in architecture, city expresses the female in its desires, memory bites, emotions, and sensuality. In applying the concept of the human body to the city, the awareness of the fact that emotions are visually stored in the city's public sphere is heightened. The city itself becomes the canvas for intimate dialogues.
It is suggested that the experience of a skin-to-skin contact with the physicality of the streets, once we allow ourselves to consciously be in touch with the city, leads to inevitable changes in the construction of our outlook on our urban environment. On the one hand, the occurring transformation can be a positive and liberating experience as depicted in spatial experiences based on the sensuality and ecstasy of the city. On the other hand, there is the intimacy with the street that results in prostitution and homelessness, linked with displacement and disembodiment in society. If the city is regarded as a space that consists of energy forms rather than as a fixed constant, its fluidity and performative actions are expressed in a free-flow of excessive energies that create connections. Such a hybridity is a fluid concept structured around the presence, absence, and ambivalence of roots, and air relates to such a spatial discourse based on accounts of the flesh, fantasies, and dreams that encompass histories and identity formations.
We are emotionally involved when we are in touch with something. Emotions move us, metaphorically and in literary terms, from one place to another, and every journey consists of encounters and actions like departing, meeting, staying. There is a way of mapping space that does not need to fulfill the need to conquer, but rather helps us to gain insight into an inner landscape reflected in outer urban space. Water is about the journey, a scan of emotional spaces, shifting between privacy and publicity, outer and inner space. It is about a fluid voyage that follows an itinerary of emotions framed by existential questions. The city spills over with inscriptions and instabilities. The fluidity of a cultural discourse opens up a discussion of instabilities and insecurities. Because there is no real orientation, only ambivalence, which creates a spatial gap, it resembles a swim in darkness. We do not exactly know where we are going, but we have an inherent idea.
Bauman points out that the question of whether to enter and commit to a relationship is influenced by bouts of fear and desire. The hedonistic pursuit of happiness consists of the act of being on the run rather than of arriving, and therein the pleasure or addiction of compulsion lies, on quests for fulfillment and ecstasy. Anxieties about growing old, about death, about being abandoned and left to one's own devices, reveal the frailty of human bonds. Compulsions and obsessions with the object of one's desires, expressed in activities like speed-dating or mobile phone messaging, stand for the need to belong to a network that creates some sense of safety. The need for security spills over to human relationships with public space and the identity question of who we are in this particular city at this given time. We try to avoid these questions and to escape definitions for our modes-of-being because there are no straightforward answers. An alternative understanding of our existence in relationship with others will open up if we are willing to embrace the uncertainty, or what Bauman terms "liquidity," that is the essence of human existence.
The frailty of an old man named Homer in Wim Wenders's Wings of Desire is used as a symbol for "the tired, perhaps dying city," as opposed to the modern, dynamic, technologically advanced city, an urban fantasy that feeds into the culturally desirable...