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A bloody offal nuisance: The persistence of private slaughter-houses in nineteenth-century London

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British slaughter-house reformers campaigned to abolish private urban slaughter-houses and establish public abattoirs in the nineteenth century. Abolition of London's private slaughter-houses was motivated by the congestion created by livestock in city streets, the nuisance of slaughter-house refuse in residential neighbourhoods and public health concerns about diseased meat in the food supply. The butchers successfully defended their private slaughter-houses, illustrating the persistence of the craftsman's workshop and the importance of laissez-faire sentiments in opposition to municipalization in Victorian London.
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... Três anos depois, nomeou uma comissão para elaborar normas de funcionamento que garantissem as condições de higiene e, em 1818, não mais existiam matadores privados na cidade. Os cinco matadouros parisienses foram reunidos em um único estabelecimento em 1867, o grande La Villete, cujo modelo de organização passou a ser copiado em todo o mundo (MACLACHLAN, 2007). O conjunto industrial era formado por um complexo de edifícios que incluía pavilhões destinados ao abate, currais, laboratório, armazéns, oficina de máquinas, edifícios de descargas, escritório, casas de funcionários, estação ferroviária e um edifício em estilo neoclássico destinado a administração central. ...
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Chapter
This chapter introduces the themes of the book by providing a historical and theoretical overview of the increasing invisibility of the modern abattoir and the animals slaughtered within. Relying on a broad selection of theorists to cover physical concealment as well as psychological avoidance of abattoirs, the chapter eventually turns to Michel Foucault’s concept of the heterotopia. The slaughterhouse as a heterotopia creates the illusion that the rest of society is free from the violence and the animals that are found within, and which deviate from society’s purported norms. The chapter proposes that literature can help lift the abattoir out of invisibility by arguing that in fiction, what may be conceived as hidden or inconsequential space in the real world can become place as its perceived neutrality and liminality are eroded and it is (re)connected with values, emotions, and living presences. The chapter ends with a brief description of the other chapters of the book.
Thesis
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