Résumé
La présente recherche-développement a pour but d’introduire une stratégie d’apprentissage-enseignement de la phonétique des langues étrangères (L2) qu’on appelle modélisation de l’accent. La stratégie est basée sur la méthode d’analyse contrastive (AC) intégrée à l’approche actionnelle (basée sur la tâche). Les auteures cherchent à démontrer que, malgré sa réputation controversée, l’AC possède un grand potentiel pédagogique non exploré pour l’enseignement de la phonétique des L2. Bien qu’ayant beaucoup servie aux théoriciens et didacticiens des L2, l’AC n’a jamais été vue comme un outil adressé aux apprenants. Cependant, l’AC peut inspirer les enseignants à créer des activités pédagogiques qui visent le développement de la méta/conscience phonético-phonologique en L2 chez les apprenants et qui contribuent à l’amélioration de leur articulation et de leur perception orale. Les auteures discutent le design d’une activité typique de modélisation de l’accent et explorent les hypothèses théoriques neurocognitives qui assurent les bénéfices pédagogiques et sociopédagogiques de cette activité. Précisément, elles abordent la notion de méta/conscience phonético-phonologique des L2 (Kivistö-de Souza, 2015), l’hypothèse sur le rapport entre la perception et la production orale, et le concept d’inhibition. Elles démontrent également que les activités de ce type sont parfaitement compatibles avec les principes de la pédagogie socioconstructiviste et transformationnelle.
Mots-clés: modélisation de l’accent; analyse contrastive; langue seconde et étrangère; métaconscience phonético-phonologique; perception orale; pronociation; stratégie d’enseignement et d’apprenitssage; enseignement explicite; approche communicative et actionnelle; pédagogique active, pédagogie basée sur les tâches.
Summary
This paper presents an instructional strategy called Accent modeling that facilitates learning and teaching foreign language (L2) phonetics. The strategy is based on the contrastive analysis method (CA) integrated into the tasked-based approach. Developed within the theoretical framework of task-based pedagogy (Willis, 1996; Ellis, 2003; Leaver & Willis, 2004) the presented activity supports the following design principles. First, it is based on the real-life situation (borrowed from the professional experience of one of the chapter authors). Students are invited to act as Russian language experts in movie production. They have to advise and train a non-Russian speaking actor who is preparing to play a role where he speaks students’ native language (HL) with a strong Russian accent (students' L2). To help the actor, students have to conduct a contrastive analysis of L2 vs HL and to identify the differences, on which the negative interferences (alias accent features) are based. Second, to accomplish the task, students have to use the factual knowledge of Russian phonetics, but also employ higher-level cognitive skills such as analysis, comparison, and synthesis. Third, as a part of the activity, students act as autonomous agents, enabled by the opportunity of having a choice and exercising their identity of power (Norton, 1995). Lastly, the final product (the list of recommendations) has a pragmatic value contributing to the community of actors and going beyond the classroom settings. At the micro-level, the principles of contrastive analysis (Lado, 1957; Ellis, 1994; Flege, 1984, 1987, 1995; 2000) organize the content of the activity. In the beginning, students have a reflective discussion about the nature of an accent as a linguistic and cognitive phenomenon. They come up with the basic concepts and principles of the contrastive analysis (e.g. negative transfer, inhibition) and make decisions about which speech units to compare (e.g., sounds or syllabuses), how to proceed, etc. Then, following the selected strategy, they compare vowel and consonant systems of HL/L2 and analyze the phonetic phenomena related to each system (e.g. phonologically conditioned alterations). They are doing so from the perspective of possible difficulties that a Russian native speaker would experience when speaking students’ HL. The final product of the activity is a list of recommendations for the actor to simulate the Russian accent.
The authors argue that despite its debatable reputation, the CA has a large underexplored instructional potential for teaching L2 phonetics. The CA has been used by linguists and L2 methodologists to identify differences between languages and to predict students’ difficulties. However, it has never been considered as a tool that students can use on their own. The CA has the potential to inspire teachers to design instructional activities, which enhance the development of phonetic and phonological awareness in L2 subsequently helping improve students’ pronunciation and speech perception. The paper discusses the design aspects of a typical Accent modeling activity. In an attempt to explain the instructional and socio-pedagogical benefits of the explicit L2 phonetics instruction, the authors also explore several ideas from the domain of a neurocognitive theory. Specifically, the paper discusses the theory of phonetico-phonological awareness of L2 (Kivistö-de Souza, 2015), the hypothesis of connection between speech perception and production, and the concept of inhibition. The paper shows that due to its focus on awareness, the CA-based learning activities are compatible with the principles of socio-constructivist and transformative pedagogy.
Keywords: accent modeling; contrastive analysis; second and foreign language teaching; phonological awareness; oral speech perception; pronunciation; instructional strategy; explicit teaching; communicative approach; task-based instruction; socio-constructivist and transformative pedagogy