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This study explores how creative leadership unfolds in the pursuit of social purpose. Drawing on the case of an architectural firm’s development of a new social housing model, we identify claims of three creative leadership processes and of scaling up for social impact. The study expands the conceptualization of creative leadership to the context of social change. It also adds to the understanding of creative industries by suggesting social purpose as a distinctive, yet underexplored driver of innovation and a source of different balancing act, as well as an important frontier for research on and practice in the creative industries.
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Der chilenische Architekt Alejandro Aravena steht für einen unkonventionellen architektonischen Ansatz: jenen, Gebäude nur halb fertig zu stellen und die Bewohner selber mit Hand anlegen zu lassen. Dieses Modell sozialer Inklusion wird in diesem Kapitel als Strategie einer architektonischen Co-Kreation interpretiert. Ihr Potenzial für Unternehmen, die ihrerseits auf Co-Kreation setzen, wird analysiert. Es zeigt sich, dass Aravena in Sachen Kundenintegration eine Offenheit an den Tag legt, an der sich Unternehmen unterschiedlicher Branchen orientieren können – und sollten.
Conference Paper
A criatividade foi proficuamente pesquisada ao longo das últimas décadas no campo da Administração por ser geradora de inovação e dinamismo nas organizações, bem como nas economias e sociedades contemporâneas. Porém, carecemos de conhecimento sobre a criatividade dentro das renovações teórico-epistemológicas, como os estudos baseados em prática (EBP). O que significa pensar a criatividade organizacional como prática? O objetivo desta pesquisa é desenvolver e discutir o entendimento da criatividade como prática a partir da articulação das pesquisas sobre criatividade organizacional com os EBP. Baseando-se em um levantamento sistemático de produções acadêmicas nacionais e internacionais sobre esses temas, a análise do material selecionado revela caminhos profícuos para se pensar a criatividade organizacional como prática, bem como para discutir suas potencialidades e desafios em relação à pesquisa futura. Palavras-chave: Criatividade; Prática; Estudos Organizacionais.
Article
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Despite the importance of brokers in creative projects, limited attention has been devoted to the micro-interactions by which brokers induce others' collaboration while simultaneously retaining some control over creative production. Building on an interactionist perspective, we develop the concept of brokerage style-i.e., a recognizable pattern in the ways in which a broker interacts with others. By using different brokerage styles in different phases of a creative project, brokers can orient the social interactions among project participants, "charging" those interactions with different types of emotional energy and mutual attention, eventually inducing collective collaboration and limiting participants' expectations of control. We illustrate our interactionist model of brokerage styles with examples from the music and TV industries.
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The cultural industries consist of those organizations that design, produce, and distribute products that appeal to aesthetic or expressive tastes more than to the utilitarian aspects of customer needs such as films, books, building designs, fashion, and music (Peterson & Berger, 1975, 1996; Hirsch, 1972, 2000; Lampel, Lant, & Shamsie, 2000). Less widely acknowledged, but as critical, cultural industries also create products that serve important symbolic functions such as capturing, refracting, and legitimating societal knowledge and values. For example, educational publishers influence what concepts and theories are promoted to students by the books they publish. Architects shape the sensibilities of interactions at work, home, and play by their choice of technologies, space design, and material resources. Music producers discover and promote vocal artists whose lyrics shape our understandings of age, gender, and ethnicity. Because of the societal impact of these symbolic functions, cultural industries have continued to interest both popular writers and sociologists alike.
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We argue for a broadened approach to brokerage by distinguishing between brokerage emphasizing a particular structural pattern in which two otherwise disconnected alters are connected through a third party ("brokerage structure") and the social behavior of third parties ("brokerage process"). We explore a processual view of brokerage by examining three fundamental strategic orientations toward brokerage: conduit, tertius gaudens, and tertius iungens that occur in many different forms and combinations. This processual view is especially relevant in increasingly complex and dynamic environments where brokerage behavior is highly varied, intense, and purposeful, and has theoretical implications for studying multiplexity, heterogeneity, and brokerage intensity.
Article
The notion of hybrid forums has come to embody the promises and dangers of ‘technical democracy’; that ethico-political project that, according to Callon, Lascoumes, and Barthe (2009. Acting in an Uncertain World: An Essay on Technical Democracy. Cambridge, MA: MIT Press), aims at the democratization of expertise through the sustained collaboration among technical experts and issue publics on shared matters of concern. In this paper I study the managerial deployment of hybrid forums as participatory devices after the 2010 earthquake and tsunami in the city of Constitución, Chile. By carefully describing the genealogy, organization and consequences of said forums, I reflect on three critical tensions underlying such collaborative processes. Firstly, taking into account the tension between the notion of hybrid forums as a concept and a device, I describe how these were devised by a Chilean consulting company as a tool for managing controversies. Secondly, dwelling on the tension between emergent and procedural dynamics of collaboration, I show the limitations these forums confronted for incorporating pre-existing controversies about the present and future of Constitución. Thirdly, I discuss how what counts as political voice was constrained by and contested in these forums, looking in detail at how local fishermen mobilized forms of political claim-making that run against the collaborative project of technical democracy. I conclude by suggesting that the most urgent challenge of hybrid forums is not just to democratically respond to existing uncertainties and matters of concern, but also to actually participate in the manufacturing of uncertainty.
Article
I started feeling – and subsequently expressing – that I did not want to be that kind of architect practising that type of architecture, as I had been previously trained. I wanted to work in the villages for the non-rich. I wanted to serve not the conventional but the alternative client, the un-served client: the villager, the slum dweller, the poor, and the marginalised. Why should architects be involved in humanitarian work and the often-complex projects needed to deal with the recovery of post-disaster emergencies? How can the design profession contribute to the longterm reconstruction processes needed to ensure the effective rebuilding of vulnerable communities after disaster?
Article
We argue that three epistemic scripts of knowledge production-evolution, differentiation, and bricolage-underpin the production-that is, the conception and the presentation-of new organizational theories. Bricolage of concepts, empirical material, and metaphors enables the conception of new theories, whereas evolution and differentiation, carrying higher academic legitimacy, predominate in theory presentation. We develop an integrative model and provide an illustration from organizational institutionalism to delineate how metaphors and scripts influence organizational theory production.