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All content in this area was uploaded by Elizaveta Solomonova on Jan 30, 2018
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External stimuli dream content Solomonova & Carr
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Incorporation of External Stimuli Into Dream Content
Elizaveta Solomonova1 & Michelle Carr2
1Dream and Nightmare Laboratory, Center for Advanced Research in Sleep Medicine; and
Psychiatry Department, McGill University, Montreal, Quebec, Canada
2Sleep Laboratory, Swansea University, Swansea, United Kingdom
To appear in: Dreams: Biology, Psychology and Culture. Valli, K., and Hoss, R. editors.
Greenwood Publishing Group.
Many positions exist about the relationship between the sleeping body and the dreaming
body, and about the extent to which the dreamer is responsive to the outside world.
Phenomenology and recent theories of embodied mind (Varela et al., 1992) suggest that the body
constantly contributes to dream experience, and that being, at the very least implicitly, aware of
the body is crucial for the sense of self.
Sleep is a state of a particular kind of balancing act. On the one hand, it is important to
protect sleep and not to be awakened by every noise, light or touch. On the other hand, the
sleeping individual needs to be responsive enough to the outside world in order to react to
important stimuli, such as sensations that are related to possible danger. Studies using
polysomnography (see chapter 2) show that the sleeping brain reacts to outside stimuli even if
the sleeper does not wake up. Similarly, experimental dream research shows that the sleeper is
responsive to the external world (albeit in an attenuated way), processes environmental and
bodily information during sleep, and that dream content reacts in many ways to somatosensory,
auditory, olfactory and visual stimuli.
External stimuli incorporations
Early dream scholars, such as Alfred Maury and Hervey de Saint-Denys, experimented
with the notion that sensory stimulation during sleep, especially of the somatosensory nature,
incorporates into and changes the dream scenario. One of the most famous examples of that
phenomenon comes from Alfred Maury:
“He dreamed of the Reign of Terror during the [French] Revolution. (…). Finally he himself was
summoned before the Tribunal (….) and was sentenced to death. Accompanied by an enormous crowd, he was led
to the place of execution. He mounted the scaffold; the executioner tied him to the plank, it tipped over, and the
knife of the guillotine fell. He felt his head severed from his trunk, and awakened in terrible anxiety, only to find
that the head-board of the bed had fallen, and had actually struck the cervical vertebrae just where the knife of the
guillotine would have fallen.” (Cited in Freud 1900/2010, pp. 58-59)
External stimuli dream content Solomonova & Carr
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This dream illustrates vividly the strong effect of a somatosensory sensation (head-board
of the bed falling on his neck) on the dream content. The interesting point here is that the
external stimulus (head-board) gets incorporated into and is contextualized by the dream
(guillotine), rather than appearing as a direct incorporation of a real external object. In another
vivid example, Maury writes of being tickled with a feather in his sleep on his face. This
sensation produced a dream of being tortured: Maury had a mask applied on his face, which was
being peeled off, together with his skin.
Experimental studies of sensory incorporation into dream content are relatively rare. The
typical procedure for stimulus incorporation research is to have a participant sleep in the
laboratory and monitor their brain activity with scalp electrodes. In most studies, a target
stimulus is presented during REM sleep, and the dreamer is then awakened and asked questions
about their experience. Dream reports are subsequently analyzed by researchers for dream
elements that appear to have a relationship to the stimulus. The success rate of stimuli
incorporation ranges from 9% to 87%. This wide range is likely due to differences in the nature
and intensity of a stimulus, and to individual studies’ definition of what counts as stimulus
incorporation. Additionally, sensory incorporation into sleep onset (stage 1 NREM sleep) has
been studied, both with experimental stimulation and as case studies of napping and recording
the relationship between physical sensations/posture and dream content.
Somatosensory incorporations
The most widely studied form of sensory incorporation into dream content is
somatosensory stimulation. This includes putting pressure on body parts, spraying water on the
sleeper, electric stimulation, tensors on skin, rocking in sleep, and manipulation of limb position
in sleep, among other methods. In Tore Nielsen’s laboratory, a method of putting pressure on leg
(above the knee or on an ankle) using a blood-pressure cuff was used in a number of studies
(Nielsen, 1993; Nielsen et al., 1993; Solomonova, 2017). Using this approach, the experimenter
can monitor the sleeper from the control room, and inflate the cuff remotely and gradually, while
monitoring the EEG, so as not to awaken the sleeper. This method produced a variety of creative
ways in which the sleeping mind reacts to somatosensory stimuli. Pressure stimulation
sometimes produces direct and intrusive imagery of either the blood pressure cuff or unpleasant
sensations in the stimulated leg. Sometimes it triggers intensified bodily imagery (such as
paralyzed leg), bizarre and unusual bodily experiences (such as flying or swimming), and, most
intriguingly, projection of bodily imagery onto other dream characters (see Table 1 for
examples). The most striking quality of the incorporation of the somatosensory stimuli is the
variety of ways in which they may change the ongoing dream scenario. Further, these examples
demonstrate that the sleeping body is actively contributing to the dreaming body, albeit in subtle
ways, as opposed to being ‘disconnected’ or inert in sleep.
External stimuli dream content Solomonova & Carr
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Table 1. Some examples of sensory incorporation
Stimulation type/Sleep
stage and reference
Dream content
Incorporation
quality
Electric stimulation to
the wrist. /REM sleep.
(Koulack, 1969)
"The thought was I felt a pinch in my hand. Electrical impulse.”
Direct incorporation
of the sensation
Somatosensory
stimulation. Inflated
blood pressure cuff on
ankle. /Stage 1 NREM
sleep.
(Solomonova,2017)
“I felt the pressure from the cuff, and all of a sudden I thought about
my cat jumping, because my cat sleeps all the time on my legs.”
A direct
incorporation + an
associative image of
the cat
Somatosensory
stimulation. Inflated
blood pressure cuff on
ankle. /REM sleep.
(Solomonova. 2017)
“Liza was there to wake me up. She turned on the lights and asked me
about my dreams. I was answering her. I could feel the pressure pump
on my leg. She asked me what does it feel like, I said it feels like a hug.
She said: “Doesn’t it feel like someone pulling on your leg?”
A direct
incorporation of the
pressure cuff + a false
awakening and
incorporation of
laboratory personnel
and of a dream
interview
Somatosensory
stimulation. Inflated
blood pressure cuff on
ankle. /REM sleep.
(Solomonova, 2017)
“At first I was flying… there were mountain tops everywhere, there
was snow (…) then I found myself on a boat, it was stormy. I was
holding on to a prow when the boat was tilting, I could touch the water
(…). Suddenly, a dolphin took me and I was swimming on its back.”
An indirect
incorporation:
intensified movement
(boat, tilting, being
carried away)
Somatosensory
stimulation. Inflated
blood pressure cuff on a
leg. / REM sleep.
(Nielsen et al., 1993)
“…the farmer (…) is trying to put a saddle on the horse. (…) At one
point the horse was rolling right across his body. I heard this ‘unnffl’
sound as if it hurt him when it rolled across his legs. (…) He got up and
turned his back on the horse. The horse stood up too. He put the horse's
right hind foot in this suitcase-like thing with a metal box so he
wouldn't stray. (…) I looked … and saw it was not hurting the horse,
just trapping his foot. The horse tried to pull his foot out and follow the
farmer, but he couldn't…”
Projection of the
feeling of pressure on
the leg onto two other
dream characters: the
farmer and the horse
Somatosensory
stimulation. Tensors on
foot. / sleep stage
unknown. (Cubberley,
1923)
“People are dancing on a verandah, which also resembles a lighted
stage. I am watching from B little way off, as if I were a spectator in a
theatre.”
Feeling of something
on the foot
transformed into
dancing imagery
Auditory stimulation.
Name “Richard”. /REM
sleep. (Berger. 1963)
“Had been to a sale in at a big shot at the center of Edinburgh.”
“Richard” – the name
of the shop in
Edinburgh
Dozing while sitting on a
couch near an IKEA cash
register, which abruptly
sounds with a loud
clatter. Auditory. /Stage
1 NREM sleep. (Nielsen,
2017)
“A bright, multi-colored clown/jester suddenly somersaults with a
snapping, elastic motion. His black suit had patches of red, yellow,
green, blue, and other colors.”
A sound triggers a
sudden awakening/
movement in the
dream character
Olfactory stimulation.
/REM sleep. (Schredl et
al., 2009)
“Cleaning a toilet that was full of yellow liquid.”
Strong smell –
imagery that likely
has a strong olfactory
component
External stimuli dream content Solomonova & Carr
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Auditory stimuli and olfactory stimuli
Even in sleep the mind is continuously monitoring the environment. We get used to loud
noises that we know are not relevant to our sleep (for example, sounds of busy streets), but may
wake up abruptly when we hear our children call us. In other words, personal relevance of the
stimulus appears to matter more than just its intensity. The same holds true for the success rate of
incorporation of sound stimuli into dream content. For example, in one of the earliest laboratory-
based studies, Berger (1963) presented his participants with personally significant names during
REM sleep, and found a high rate of incorporation of these stimuli into dreams. These
incorporations, however, were not necessarily representations of the named individuals (which
also happened on some occasions), rather they were often processed in an associative manner.
For example, the name “Peter” was incorporated as a title of a firm that sounded like
“Portobello”, or hearing a name of a mathematician girlfriend, triggered a mathematics-related
dream content. Hoelscher and colleagues (1981) found that words that have personal importance
for the dreamer have a higher chance of being incorporated into a dream than words that are not
particularly important for that person.
Olfactory stimuli have also been used to study how the sleeping mind reacts to the
outside world. Early dream scholar Hervey de Saint-Denys, for instance, noted that sense of
smell is relatively rare in dreams and in waking memories. However, he noticed that just as
smells often trigger associations with memories and emotions in wake, so in dreams, when one is
exposed to a smell, for example of fireplace smoke, they may dream about a fire station, but not
about the smell itself (Hervey de Saint-Denys, 1867). Experimental studies confirmed his
intuition, for example, Michael Schredl and colleagues (2009) presented their participants with
either a pleasant smell (roses), an unpleasant smell (rotten eggs), or a neutral smell during REM
sleep. These smells did not appear explicitly in the dreams, rather, pleasant smells were
associated with more emotionally positive dreams, and unpleasant smells with more negative
dream experiences. It is unclear why olfactory stimulation in sleep produces almost exclusively
associative changes in dream content (changes in visual and auditory modalities and in emotional
tone), and almost never activates the sense of smell. Research on home dream reports shows that
olfactory sensations are rarely mentioned in dreams: in one study only 1% of over three thousand
dream reports contained smells and tastes (Zadra et al., 1998). It is possible that smells are
processed differently than other sensory modalities in both wake and in sleep: sense of smell has
been linked to memory, emotion, mood, recognition of objects and foods as pleasurable or
repulsive, and so on. Thus, smells may not have independent information, and are rather always
attached to an object or a context, and that quality of odor perception is then manifested in the
effects of olfactory stimulation on dreams.
Visual stimuli
Incorporation of visual stimuli during sleep is harder to study due to the obvious fact that
the dreamer’s eyes are usually closed. In one study, visual stimuli were presented to participants
during REM sleep while their eyes were taped open (Rechtschaffen & Foulkes, 1965). No direct
correspondence was found between the images presented to the sleepers and reported dream
content. It was suggested that the sleeper is “functionally blind” to the external stimulation, and
External stimuli dream content Solomonova & Carr
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the vivid perception of the dream world effectively overrides the real world’s visual information.
In another study, flashing light stimuli paired with tones were presented in stage 2 NREM sleep
and in REM sleep. Only in NREM sleep did these stimuli produce more visual imagery in the
dream report (Conduit et al., 1997), further suggesting that REM sleep mentation is not sensitive
to visual stimulation.
One profitable avenue for visual stimulation, however, is induction of lucid dreams via
presentation of flashing light stimuli (see chapter 9). LaBerge and Levitan (1995), for example,
report that wearing a LED light-fitted mask, designed to detect rapid eye movements and to send
visual stimuli, alerts the dreamer to the fact that they are currently in the REM sleep state, and
increases incidence of lucid dreaming. In this case, the visual stimuli are strongly incorporated
into the dream, for example, with the whole environment being illuminated by a flashing red
light, or with lightning or a street lamp appearing in a dream.
Why do external stimuli incorporate into dreams?
One explanation for the stimuli incorporation into dreams is that stimulation produces a
micro-arousal, i.e., slightly awakens the dreamer so that they perceive it, but not enough to wake
them up. Thus, the dream continues, but the mind has already registered a stimulus that does not
quite “fit” with the dream. In order to maintain the dream, the stimulus is re-contextualized and
now becomes part of the ongoing narrative. This process is known as multisensory integration
and refers to the mind’s preference for unified perception of the world. When two stimuli of
different modalities coincide, we tend to think they are related. For example, when a sound
appears at the same time as a visual stimulus, we tend to think that the image produced the
sound. Accordingly, when a blood pressure cuff puts pressure on the leg, the dreamer may feel
“stuck”, and that feeling might be translated into seeing a horse trapped by its leg, for example.
The multisensory integration explanation is consistent with recent research, showing that
dreams integrate new memories in an associative manner (Carr & Nielsen, 2015; Horton &
Malinowski, 2015) by activating the larger contextual semantic and episodic networks. This
process may be important for making sense of new experiences. The disruption produced by the
external stimulus thus triggers a variety of memories and the dreaming mind attempts to make
sense of this new event. Thus, a smell may produce a dream with someone grimacing (associated
memories of seeing someone smell something unpleasant) (Schredl et al., 2009), or a feeling of
pressure on an ankle may temporarily transport the dreamer back into her bed and conjure the
image of their cat, who often sleeps on their legs (Solomonova, 2017).
To the best of our knowledge, hypnopedia (sleep learning), at least as presented in
Aldous Huxley’s Brave New World, is not likely to be an efficient way to acquire knowledge.
Still, the relationship between sensations of the sleeping body, dream content and dreamer’s
behaviour can illuminate some of the fundamental aspects concerning dream formation,
contribution of sensory experiences to dream narrative, and information processing in sleep.
External stimuli dream content Solomonova & Carr
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Summary
Experimental evidence from studies of stimuli incorporation into dream content show
that the sleeping mind is sensitive to the external world. Dreams react in a variety of ways to
sensory stimulation, ranging from direct incorporation of the stimulus into the dream scenario to
indirect effects, such as changes in the emotional tone or in stimulus modality (e.g.
somatosensory into visual). Somatosensory and auditory stimulation seem to be the most
effective in producing different kinds of incorporation, and visual stimulation seems not to have
as much effect on dream content, except for induction of lucid dreams.
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