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a, b, c, d. The process of assembling hardwood veneers at the plywood base, sending, mounting and realization. Source: Siniša Prvanov. 

a, b, c, d. The process of assembling hardwood veneers at the plywood base, sending, mounting and realization. Source: Siniša Prvanov. 

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Figure 1a, b, c. m/v John P, Pireus Port (1994), m/v Anna Maru at the...
Figure 2a, b, c. Ballroom-Existing Situation. Source: Siniša Prvanov. 
Figure 3a, b, c. Design Proposal and Wind Rose Detail Drawing in Scale....
Figure 4a, b, c, d. The process of assembling hardwood veneers at the...
+4 Figure 5a. b. c. Restroom 1, Lower deck. An existing situation. Source:...
THE REFURBISHMENT OF M/V ANNA MARU Four Samples of Usıng Durable Wood Products ın Passenger Ship Interıor and Exterıor Desıgn
Article
Full-text available
  • Oct 2017
This study aims to identify the behavior of wood in the marine environment as well as its use in interior and exterior design of small cruise passenger ships. The cruise industry is among the most exciting and fast-growing categories in the leisure marketplace, especially ın Mediterranean region, so that is a need for constant improvement of servic...
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Technological innovations in photography and their role in documenting monuments through designing electronic tours for artistic inheritance via social networking sites المستحدثات التكنولوجية في التصوير ودورها في توثيق الاثار من خلال تصميم الجولات الالكترونية للموروثات الفنية على مواقع التواصل الاجتماعي
Article
Full-text available
  • Apr 2021
3150 ‫ق.م،‬ ‫عند‬ ‫وذلك‬ ‫وحد‬ ‫ما‬ ‫معا‬ ‫مصر‬ ‫وشمال‬ ‫جنوب‬ ‫مينا‬ ‫الملك‬ ‫و‬ ‫بالفر‬ ً ‫مرورا‬ ‫التاريخية،‬ ‫والحقب‬ ‫العصور‬ ‫من‬ ‫العديد‬ ‫مصر‬ ‫على‬ ‫توالت‬ ‫س‬ (343 ‫األكبر‬ ‫اإلسكندر‬ ‫قدوم‬ ‫ثم‬ ‫ق.م)‬ (323 ‫تأسست‬ ‫والذي‬ ‫ق.م)‬ ‫الروما‬ ‫غزاها‬ ‫وبعدها‬ ‫البطلمية،‬ ‫الدولة‬ ‫بعده‬ ‫ن‬ (31 ‫وظلت‬ ‫ق.م)‬ ‫من‬ ‫أكثر‬ ‫الروماني‬ ‫الحكم‬ ‫تحت‬ 600 ‫المسيحية‬ ‫ظهور‬ ‫مصر‬ ‫شهدت‬ ‫الرومان‬ ‫حكم‬ ‫فترة‬ ‫وفي‬ ‫عام‬ ‫في‬ ‫وانتشارها‬ ‫م‬ ‫صر،‬ ‫عام‬ ‫اإلسالمي‬ ‫الفتح‬ ‫جاء‬ ‫وبعدها‬ 639 ‫إسالمية.‬ ‫دولة‬ ‫إلى‬ ‫مصر‬ ‫وتحولت‬ ‫م.‬ ‫مص‬ ‫في‬ ‫تأسست‬ ‫االسالمية‬ ‫الدولة‬ ‫ظل‬ ‫وفي‬ ‫الطولونية‬ ‫الدولة‬ ‫مثل‬ ‫الدول‬ ‫من‬ ‫العديد‬ ‫ر‬ ‫اإلخشيدية‬ ‫ثم‬ ‫الف‬ ‫ثم‬ ‫اطمية‬ ‫األيوبية‬ ‫ثم‬ ‫ثم‬ ‫المماليك،‬ ‫العثم‬ ‫الخالفة‬ ‫واخيرا‬ ‫العباسية‬ ‫ثم‬ ‫االموية‬ ‫كالخالفة‬ ‫الخالفات‬ ‫من‬ ‫العديد‬ ‫تتبع‬ ‫كانت‬ ‫كما‬ ‫ت‬ ‫ثم‬ ‫انية،‬ ‫إلى‬ ‫حولت‬ ‫م‬ ‫ملكة‬ (1922 (‫عام‬ ‫جمهورية‬ ‫إلى‬ ‫ذلك‬ ‫بعد‬ ‫تحولت‬ ‫ثم‬ ،) 1954 .) ‫نجد‬ ‫سبق‬ ‫مما‬ ‫ت‬ ‫الثقافات،‬ ‫واختالف‬ ‫للحضارات‬ ‫تنوع‬ ‫من‬ ‫به‬ ‫تتميز‬ ‫لما‬ ‫باآلثار‬ ‫العالم‬ ‫دول‬ ‫أغنى‬ ‫مصر‬ ‫ان‬ ‫م‬ ‫شتهر‬ ‫بالعدي‬ ‫صر‬ ‫د‬ ‫في‬ ‫الكبرى‬ ‫المتاحف‬ ‫في‬ ‫اآلثار‬ ‫هذه‬ ‫من‬ ‫أجزاء‬ ‫عرض‬ ‫ويتم‬ ‫العالم،‬ ‫آثار‬ ‫ثلث‬ ‫بها‬ ‫يتواجد‬ ‫حيث‬ ‫اآلثار‬ ‫من‬ ‫ج‬ ‫أن‬ ‫ميع‬ ‫العال‬ ‫حاء‬ ‫م.‬ ‫بعلم‬ ‫سمي‬ ‫المصرية‬ ‫اآلثار‬ ‫بدراسة‬ ‫خاص‬ ‫علم‬ ‫وجد‬ ‫وقد‬ ‫المصريات‬. ‫م‬ ‫لها‬ ‫والمالئمة‬ ‫المناسبة‬ ‫المكانة‬ ‫تحتل‬ ‫ال‬ ‫والثقافي‬ ‫الحضاري‬ ‫التنوع‬ ‫هذا‬ ‫من‬ ‫الرغم‬ ‫وعلى‬ ‫انها‬ ‫اال‬ ‫بين‬ ‫ن‬ ‫ا‬ ‫دول‬ ‫لعشر‬ ‫ا‬ ‫الولي‬ ‫العالم.‬ ‫في‬ ‫السياحية‬ ‫مستوي‬ ‫على‬ ‫ا‬ ‫قائمة‬ ‫والصين‬ ‫المتحدة‬ ‫والواليات‬ ‫وإسبانيا‬ ‫فرنسا‬ ‫من‬ ‫كل‬ ‫تحتل‬ ‫حيث‬ ‫ا‬ ‫لدول‬ ‫زيا‬ ‫ألكثر‬ ‫رة‬ ‫العالم‬ ‫في‬ ‫لتقار‬ ‫ا‬ ً ‫وفق‬ ‫للسياحة.‬ ‫العالمية‬ ‫المنظمة‬ ‫ير‬ ‫فهناك‬ ‫اال‬ ‫خالل‬ ‫من‬ ‫قوية‬ ‫ترويجية‬ ‫بخطة‬ ‫إال‬ ‫وصلها‬ ‫يمكن‬ ‫ال‬ ‫والسائح،‬ ‫السياحى‬ ‫المقصد‬ ‫بين‬ ‫مفقودة‬ ‫حلقة‬ ‫عالم‬ ‫ا‬ ‫لسياحي.‬ ‫مجهوال‬ ‫مكانا‬ ‫ستظل‬ ‫مناسب،‬ ‫سياحي‬ ‫اعالم‬ ‫يوجد‬ ‫وال‬ ‫السياحية،‬ ‫المقومات‬ ‫من‬ ‫تمتلك‬ ‫الدولة‬ ‫كانت‬ ‫فمهما‬ ‫ب‬ ‫النسبة‬ ‫للسائح‬. ‫هنا‬ ‫ومن‬ ‫السيا‬ ‫الخريطة‬ ‫على‬ ‫مكان‬ ‫أى‬ ‫لوضع‬ ‫األهم‬ ‫هي‬ ‫التسويقية‬ ‫السياحية‬ ‫واإلجراءات‬ ‫السياسات‬ ‫أصبحت‬ ‫الد‬ ‫حية‬ ‫ولية،‬ ‫ابتكارا‬ ‫وأكثر‬ ‫مختلفة‬ ‫التسويق‬ ‫طرق‬ ‫أصبحت‬ ‫اإلجتماعي‬ ‫التواصل‬ ‫وسائل‬ ‫وانتشار‬ ‫التكنولوجي‬ ‫التطور‬ ‫ومع‬ ‫ولم‬ ، ‫ت‬ ‫تقف‬ ‫عد‬ ‫التقليدية‬ ‫الطرق‬ ‫حدود‬ ‫عن‬. ‫نجا‬ ‫في‬ ‫وبارز‬ ‫دوركبير‬ ‫وللصورة‬ ‫ا‬ ‫خالل‬ ‫من‬ ‫وذلك‬ ‫الثابتة.‬ ‫او‬ ‫المتحركة‬ ‫كانت‬ ‫سواء‬ ‫السياحية‬ ‫العملية‬ ‫ح‬ ‫لتعريف‬ ‫تحتو‬ ‫بما‬ ‫يه‬ ‫جديد‬ ‫طرق‬ ‫ايجاد‬ ‫الي‬ ‫االتصال‬ ‫علوم‬ ‫تكنولوجيا‬ ‫في‬ ‫المستمر‬ ‫التطور‬ ‫ساهم‬ ‫كما‬ ‫سياحية.‬ ‫معالم‬ ‫من‬ ‫البالد‬ ‫وأكث‬ ‫ة‬ ‫فاعلية‬ ‫ر‬ ‫السياحي.‬ ‫والترويج‬ ‫واالعالن‬ ‫الدعاية‬ ‫في‬ ‫للتأثير
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DIZAJN ENTERIJERA: Radovi i istraživanja u funkciji doživljaja prostora
Article
Full-text available
  • Jan 2020
  • J Interior Des
Glavna tema ovog rada je presek moje umetničke prakse na polju arhitekture i dizajna enterijera. Rad je hronološki podeljen u više poglavlja kako bi se što jasnije ilustrovali najvažniji periodi koji su obeležili moje stvaralaštvo. U ovom radu koristio sam detaljne primere pojedinih izvedenih projekata analizirajući pre svega samo rešenje prostora, njihovu estetsku formu, ali i istraživački process koji se nametnuo kao preko potreban pre i tokom njihove realizacije. Kroz lične stavove pokušao sam da utvrdim kako je upravo profesija uticala na moja trenutna interesovanja u umetnosti, i da li permanentno istraživanje treba mnogo dublje uvažavati i praktikovati. Metode korišćene pri pisanju ovog rada oslanjale su se na korišćenje lične dokumentacije, internet izvora, i komparacije radova drugih autora u oblasti dizajna enterijera. Poslednje poglavlje ovog rada bavi se analizom mog rada na doktorskom umetničkom projektu na programu Višemedijskih umetnosti Univerziteta umetnosti u Beogradu.
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DIZAJN ENTERIJERA: Radovi i istraživanja u funkciji doživljaja prostora
Preprint
  • Jan 2020
Sažetak: Glavna tema ovog rada je presek moje umetničke prakse na polju arhitekture i dizajna enterijera. Rad je hronološki podeljen u više poglavlja kako bi se što jasnije ilustrovali najvažniji periodi koji su obeležili moje stvaralaštvo. U ovom radu koristio sam detaljne primere pojedinih izvedenih projekata analizirajući pre svega samo rešenje prostora, njihovu estetsku formu, ali i istraživački process koji se nametnuo kao preko potreban pre i tokom njihove realizacije. Kroz lične stavove pokušao sam da utvrdim kako je upravo profesija uticala na moja trenutna interesovanja u umetnosti, i da li permanentno istraživanje treba mnogo dublje uvažavati i praktikovati. Metode korišćene pri pisanju ovog rada oslanjale su se na korišćenje lične dokumentacije, internet izvora, i komparacije radova drugih autora u oblasti dizajna enterijera. Poslednje poglavlje ovog rada bavi se analizom mog rada na doktorskom umetničkom projektu na programu Višemedijskih umetnosti Univerziteta umetnosti u Beogradu.
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DEVELOPING A NEW ELECTIVE COURSE IN BOAT INTERIOR DESIGN: Educational Targets and Process
Conference Paper
Full-text available
  • May 2019
In the growing tourism industry worldwide in recent years, production and renting of sailboats are experiencing their culmination. The global yacht charter market is set to expand with a compound annual growth rate (CAGR) of 5.4% throughout the forecast period to reach US$ 15.86 billion by 2026. Thus, there is a justified need for educating interior design students in the field of passenger boats especially yachts. This education applies to the Mediterranean region where there is a tradition of manufacturing sailboats. For instance, Gulet is a traditional boat design of a two-mast or three-mast wooden sailing vessel particularly built in the western coast of Turkey. Bodrum and Marmaris are the main production centres for that boat design. In terms of craftsmanship and sustainability, Gulet is one of the last survived authentic wooden boats in the world. To preserve this tradition, computer-aided design (CAD) and other tools such as computer numerical control (CNC) need to be applied to interior design education. This may also provide leverage to the Turkish yacht industry among the other competitors. This study deals with the research and analysis of the creation of an elective course called "Leisure Practices and Spaces" IAED 426 that was thought during the spring semester of 2018 at the Department of Interior Architecture and Environmental Design at Bilkent University in Ankara, Turkey. Moreover, the research addresses the course design process, educational targets, applied methods and examines the achieved results of the students that include the industry collaboration with one of the important yacht manufacturers in the Mugla region.
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