Figure 5 - uploaded by Vegas Simbelis
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The shaking motion was activated in this experiment, so duplication of a tower and broken horizon appeared. The shaking motion and its angle is important, in this case, the motion was diagonal so it caught the tower several times. "Khalifa City" digital photography, Dubai, 2014. Project "Panorama Time", experiment "Variable Horizons".
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This pictorial intends to show a usage-hacking case of everyday technology for creating visual narratives. Storytelling through visual appearance could be significantly relevant and inspirational to design and HCI. This technique is also a design approach in itself; by deliberate navigation and control, the user breaks the panorama view. In this pi...
Context in source publication
Context 1
... cursor starts moving forwards and stitching the upcoming parts of the image, at the same time repeating the scene: hacking of movement of the panorama camera without actually moving the camera itself to the side. For example, in Figure 5, as a result, several of the same towers appear side by side. However, from the camera movement we get natural distorting glitch -not a straight line and level of the ...
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This article intends to show a usage-hacking case of everyday technology for creating visual narratives. The photographic art project "Panorama Time" is discussed through a techno-cultural perspective and examines the spatial-temporal dimension in panoramic photography, which, in this case, is a digital camera in a mobile phone. The post-media cond...
Citations
... This project also relates to the futurist art movement of noise music promoting aesthetics that draw directly on machines and their processes. This, in turn, relates to the glitch as an artistic resource and might be perceived in relation to the separation of glitches into fault aesthetics and glitch aesthetics [25]. This is connected to how Italian futurist composer Luigi Russolo (1883-1947) embraced the aesthetics of noises created by machines and used them for artistic expression by tuning the noises into a polyphony of an "intoxicating orchestra of noises". ...
... This accidental glitch is derived from the electrical charges and appears out of nowhere. Such "glitch approach" refers to fault aesthetics [25] principles. However, it is hard to notice a glitch in sonic appearances such as this, as the whole soundscape comprises drone-like music and incorporates many glitch-like sounds. ...
How do we humanize digital interactive technology? One way is through our experience with technology. With S T R A T I C we present several post-digital concepts to discuss the relationship of the digital in regard to our human lives. We emphasize the synesthetic experience along with other aesthetic experiences and materiality issues with manifestations of the digital in the physical world, tangible approaches to sonic performances, or exposure of internal logics of technological processes.
In this paper, we propose both exhibiting our work as an art installation and via a live performance. We regard it as being highly relevant to the topic of the TEI Arts Track exhibition: post-digital materiality at the intersection of the analog and the digital, and to its tangible aspects.
