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Serpentine Gallery Pavillion, Londres 2002, Toyo Ito

Serpentine Gallery Pavillion, Londres 2002, Toyo Ito

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Conference Paper
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Abstract. Traditionally, the architect designed projects with a constructive control over their geometry. This meant that the characterization of form is progressive but it is closed at each stage of project. However, nowadays parametric design has exceeded the constraints of closed form observed in traditional design introducing a shift of paradig...

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Citations

... Desde el punto de vista de la ideación arquitectónica, por encima de todas las demás consideraciones al respecto de la cultura digital, lo que probablemente ha constituido el cambio más profundo es el que se refiere a la forma abierta -Marcos (3). Los diseños parametrizados y la arquitectura algorítmica han modificado el proceso de proyecto porque elaboran diseños codificados, esto es: geometrías definidas a partir de códigos y parámetros en lugar de la tradicional materialización de la forma -cerrada-en unos dibujos o unas maquetas -reales o virtuales, esto es indiferente-. ...
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Las nuevas tecnologías en el ámbito de la arquitectura han ido conformando un nuevo paradigma proyectual, especialmente a partir de las dos últimas décadas. El cambio sustancial se ha producido cuando el software, cada vez más potente, ha pasado de su condición instrumental como poderosa herramienta de representación de la arquitectura al ámbito de la ideación y del proyecto de arquitectura; especialmente cuando los diseñadores han tenido acceso a modificar el propio código -Mantzou (1), como sucede en el diseño parametrizado. Obviamente, el instrumento no es inocente y los resultados acaban siendo mediatizados por él.
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