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Poster by Annada Munshi for ITMEB, 1947; courtesy Courtesy Urban History Documentation Archive, Centre for Studies in Social Sciences, Calcutta. 

Poster by Annada Munshi for ITMEB, 1947; courtesy Courtesy Urban History Documentation Archive, Centre for Studies in Social Sciences, Calcutta. 

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This essay examines the process by which tea, a plant and product introduced into the Indian subcontinent in the early 19th century as a colonial cash crop, became indigenized and popularized as chai, often regarded today as India’s ‘national drink’. This process mainly occurred during the 20th century and involved aggressive and innovative marketi...

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... huge estates, as earners of coveted foreign exchange, were quietly exempted from land-reform legislation that set a ceiling on the amount of acreage that individuals might own, but increasing government regulation after 1953, when the industry-run ITMEB was again reconstituted as the 'Tea Board of India' and placed under the Ministry of Commerce, drove many planters to begin selling off their gardens to native families, especially the entrepreneurial Marwari traders of Calcutta. Another remarkable Annada Munshi poster, dated to the year of Independence, presciently heralds this transition ( Figure 5): borrow- ing elements of traditional Kalighat 'Pat' painting and the primitive modernism of Bengali artist Jamini Roy , it presents a chaste, sari-clad 'mother India', seated behind the iconic charkh ¯ a (spinning wheel) of Gandhian homespun, enjoying a cup of tea, against a field of little cups-and-saucers and wheels, and above the triumphant announcement -contra much nationalist discourse of the preceding half-century -that tea was now 100 percent 'indigenous' (svades´¯ ı) and hence okay to drink. ...

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