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Post-hoc diagram for Verbal working memory.

Post-hoc diagram for Verbal working memory.

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This study explores the cognitive profiles of different types of expert musician adults, and suggests a frame of separation to categorize them according to the musical instrument they play. These differences would be based on the core elements of music (rhythm, melody and harmony), which activate the nervous system differently in expert adult music...

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... In this widely accepted framework cognitive flexibility indicates the adaptability of the cognitive system to immediate changes in information that is being processed during task performance (Botwinick et al., 2001). A number of studies investigated the factors that contribute to cognitive flexibility (aging, socioeconomic status, occupation, life experience), among these are musical activities that have been in the focus of a growing number of studies in recent years (Thaut, 2010;Siepsiak & Krejtz, 2016;Jaschke et al., 2018;Porflitt & Rosas, 2020;Chen et al., 2021). ...
... This is because there is a sensitive period for music learning, hence music training with early onset has a long-term effect on cognitive control performance (Chen et al., 2020). Relying on recent studies, we also assume, that subjects in the musician group have different cognitive control performance profile according to the instrument they play (Porflitt & Rosas, 2020) and the groups instrument distribution can also influence the groups working memory performance. ...
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... In this widely accepted framework cognitive flexibility indicates the adaptability of the cognitive system to immediate changes in information that is being processed during task performance (Botwinick et al., 2001). A number of studies investigated the factors that contribute to cognitive flexibility (aging, socioeconomic status, occupation, life experience), among these are musical activities that have been in the focus of a growing number of studies in recent years (Thaut, 2010;Siepsiak & Krejtz, 2016;Jaschke et al., 2018;Porflitt & Rosas, 2020;Chen et al., 2021). ...
... This is because there is a sensitive period for music learning, hence music training with early onset has a long-term effect on cognitive control performance (Chen et al., 2020). Relying on recent studies, we also assume, that subjects in the musician group have different cognitive control performance profile according to the instrument they play (Porflitt & Rosas, 2020) and the groups instrument distribution can also influence the groups working memory performance. ...
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... Prior research has found that the neural response magnitude is limited for familiar as compared to unfamiliar, absurd music [1,2]. Neural responses and cognitive performance of expert adult musical performers and non-experts differ significantly [3,4,5]. ...
... In this widely accepted framework cognitive flexibility indicates the adaptability of the cognitive system to immediate changes in information that is being processed during task performance (Botwinick et al., 2001). A number of studies investigated the factors that contribute to cognitive flexibility (aging, socioeconomic status, occupation, life experience), among these are musical activities that have been in the focus of a growing number of studies in recent years (Thaut, 2010;Siepsiak & Krejtz, 2016;Jaschke et al., 2018;Porflitt & Rosas, 2020;Chen et al., 2021). ...
... This is because there is a sensitive period for music learning, hence music training with early onset has a long-term effect on cognitive control performance (Chen et al., 2020). Relying on recent studies, we also assume, that subjects in the musician group have different cognitive control performance profile according to the instrument they play (Porflitt & Rosas, 2020) and the groups instrument distribution can also influence the groups working memory performance. ...
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... As for latencies, musicians are significantly slower than non-musicians. This result, which at first sight may appear counterintuitive, could be explained by the hypothesis that, while listening to the excerpts, musicians adopt a more analytic modality of judgment, due to their musical training, compared to the more global one used for an esthetic judgment by non-musicians [7,10,63]. In line with this view, a more analytic analysis may require a major cognitive effort, resulting in an increase of response latencies. ...
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Humans are the only species capable of experiencing pleasure from esthetic stimuli, such as art and music. Neuroimaging evidence suggests that the left dorsolateral prefrontal cortex (DLPFC) plays a critical role in esthetic judgments, both in music and in visual art. In the last decade, non-invasive brain stimulation (NIBS) has been increasingly employed to shed light on the causal role of different brain regions contributing to esthetic appreciation. In Experiment #1, musician (N = 20) and non-musician (N = 20) participants were required to judge musical stimuli in terms of “liking” and “emotions”. No significant differences between groups were found, although musicians were slower than non-musicians in both tasks, likely indicating a more analytic judgment, due to musical expertise. Experiment #2 investigated the putative causal role of the left dorsolateral pre-frontal cortex (DLPFC) in the esthetic appreciation of music, by means of transcranial direct current stimulation (tDCS). Unlike previous findings in visual art, no significant effects of tDCS were found, suggesting that stimulating the left DLPFC is not enough to affect the esthetic appreciation of music, although this conclusion is based on negative evidence.
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