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Number of individuals for the two local divisions of Okhotsk culture people and the Ainu

Number of individuals for the two local divisions of Okhotsk culture people and the Ainu

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Hokkaido is an intriguing region for studies of population history in Japan because of its geographical position both at the periphery in the Japanese archipelago and at the gateway to the northeastern Eurasian continent. This paper focuses on the biological relationship between two populations, Okhotsk culture people and Ainu, and investigates cra...

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... East region is presumably overlapped with the Okhotsk culture distribution, although it does not match perfectly. The details of the local divisions, sample sizes for each site/prefectural local region are shown in Table 2. ...

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... The cultural heritage of indigenous people (e.g., Nahuas living in Mexico and El Salvador, Ainu living in the northern hemisphere of the world, Assyrians living in Western Asia, and the like) is full of aesthetic patterns, which can also be studied using the concept of symmetry. The focus of this article is the patterns of the indigenous people living in the northern part of Japan, known as Ainu [5,6]. Ainu people decorate their houses, clothing, ornaments, utensils, and spiritual goods using some unique patterns [7][8][9][10][11][12]. ...
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This article addresses virtual and physical prototyping of some symmetrical patterns collected from the Ainu cultural heritage. The indigenous people living in the northern part of Japan (e.g., Hokkaido), known as Ainu, often decorate their houses, clothing, ornaments, utensils, and spiritual goods using some unique patterns. The patterns carry their identity as well as their sense of aesthetics. Nowadays, different kinds of souvenirs and cultural artifacts crafted with Ainu patterns are cherished by many individuals in Japan and abroad. Thus, the Ainu patterns carry both cultural and commercial significance. A great deal of craftsmanship is needed to produce the Ainu patterns precisely. There is a lack of human resources having such craftsmanship. It will remain the same in the foreseeable future. Thus, there is a pressing need to preserve such craftsmanship. Digital manufacturing technology can be used to preserve the Ainu pattern-making craftsmanship. From this perspective, this article presents a methodology to create both virtual and physical prototypes of Ainu patterns using digital manufacturing technology. In particular, a point cloud-based approach was adopted to model the patterns. A point cloud representing a pattern was then used to create a virtual prototype of the pattern in the form of a solid CAD model. The triangulation data of each solid CAD model were then used to run a 3D printer to produce a physical prototype (replica of the pattern). The virtual and physical prototypes of both basic (Hokkaido) Ainu motifs and some synthesized patterns were reproduced using the presented methodology. The findings of this study will help those who want to digitize the craftsmanship of culturally significant artifacts without using a 3D scanner or image processing.
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... Regarding sexing, we referred to collection records, while double checking the validity by observing hipbone morphology. The Okhotsk sample consists of northern and eastern subsamples with little craniometric difference (Fukumoto and Kondo, 2010), dated between c. 400 and 1200 AD (Komesu et al., 2008;Tsutaya et al., 2014Tsutaya et al., , 2015. The early-modern Honshu materials derive from anatomical collections made by the University of Tokyo around 1900 AD. ...
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