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Map of Zambia showing all the districts, towns and cities in the country (http://www.ezilon.com/maps/africa/zambia-maps.html)
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p>In the early 1950s the Vatican accepted the translation of Catholic hymnals into local Zambian languages and the incorporation of indigenous musical instruments into the liturgical music. This development inspired a group of priests and seminarians, led by Father Charles Rijthoven from Ilondola mission in Northern Zambia. Because of its geographi...
Citations
In the context of Catholic worship at Ganjuran Church, music and musicians play vital roles in enhancing the spiritual experience of worshippers. This research employs a qualitative and phenomenological approach to explore the ethical aspects related to musical performances during the First Friday Night Eucharist. Through careful observation, interviews, and documentation, the study analyzes the musicians' practices using Marc Benamou's theory of Rasa and Keontjoroningrat's insights on religious emotion. The findings reveal that musicians at Ganjuran Church embody the ethical principle of 'Mong Kinemong,' demonstrating a profound ethos of mutual care deeply embedded in their musical practice. This ethical commitment is bolstered by the musicians' intense experience of religious emotion, evoking feelings of majesty and serenity among choir members. Additionally, instrumentalists, referred to as 'pengrawit,' express heightened veneration, describing their peak moments as 'semu' (joyful), 'nges' (serene and good), and 'dados' (fulfilling expectations). Importantly, this 'Mong Kinemong' ethos harmoniously integrates with musical elements, enhancing the overall worship experience. This study contributes to a deeper understanding of ethics in musical performance within the Catholic liturgy context, shedding light on the significance of mutual care, emotional resonance, and harmonious musical expression in enriching the spiritual dimension of worship.
The first comparative historical analysis - local, national and transnational - of the cross-border Central African Copperbelt; a key work in studies of labour, urbanisation and African studies.
The Central African Copperbelt, encompassing the mining communities of Katanga (DR Congo) and Zambia, has been central to the study of modernisation and rapid social and political change in urban Africa. This volume expands upon earlier studies of industrial mining, male-dominated formal labour organisation and political change by examining both sides of the border from pre-colonial history to the present and encompassing a wide range of economic, social and cultural identities and activities. Bringing together scholars from a range of disciplines, the contributors explore Copperbelt communities' sense of identity - expressed in comic strips and football matches, their precarious and inventive ways of living, their involvement in church and education, and the processes and impact of urbanisation and development, environmental degradation and changing gender relations. A major contribution to borderland studies, in showing how the meaning and relevance of the border to the Copperbelt's mixed and mobile population has changed constantly over time, the book's engagement with communities at the nexus of social, economic and political change makes it a key study for those working in global urban development.
