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José Martínez Celiz, portada de la iglesia conventual de San Martiño de Vilalourente en Mondoñedo, 1715-1716, fotografía del autor.
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Durante la Edad Moderna no hubo una significativa interrelación entre la arquitectura del Principado de Asturias y la del Reino de Galicia pese a ser territorios limítrofes. La excepción a esta regla la supuso José Martínez Celiz, un arquitecto de origen avilesino que introdujo en Galicia un repertorio de formas y modelos inéditos en la región aunq...
Context in source publication
Context 1
... tercio del seiscientos 30 . También recuerda al friso del segundo cuerpo de la citada portada del monasterio de Cornellana. O a las impostas de la fachada meridional del aludido palacio avilesino de Camposagrado. En la portada de la iglesia de San Martiño recurrió al uso de la sillería almohadillada para revestir el cajeado de las pilastras ( fig. 3). Estas retrotraen a las del Claustro de las Oficinas del monasterio compostelano de San Martín Pinario, edificio que seguramente no conoció 31 . Lo cierto es que los arquitectos asturianos del momento, entre los cuales se incluye Celiz, emplearon con frecuencia el almohadillado para guarnecer los enmarques de puertas, ventanas, ...
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The change of territorial organisation in the 18th century in Spain was strongly related to the preservation of the local heritage. Academic architects, military engineers, and master builders coexisted to carry out the design and management of municipal construction works. The evolution of the figure of the master builder and the confrontation with architects and the guilds since the creation of the Royal Academy of Fine Arts of San Fernando posed an inflection point in this aspect. The first aim of the present study was to highlight the figure of Vicente López Cardera, master builder in the Council and Diocese of Córdoba between the late 18th century and the early 19th century, through his work on the municipal interventions in the maintenance of the construction works and infrastructures in Montilla (Córdoba, Spain) around the year 1794. The second aim of the study was to emphasise the role of graphic engineering in the conservation of municipal heritage in the Modern Age through the study of drawings and plans provided by him in the analysed documentation. His thinking in the approach to these works fits with the ideas of social hygienic improvements that began with the Enlightenment as well as with the concept of sustainable development in culture; hence, his work is relevant in the sustainable development planning of cities in the present. With this study, missing heritage elements are also revealed, opening future lines of research that lead to their virtual reconstruction and the promotion of tourism in rural areas.
Fray Lorenzo de Santa Teresa fue un fraile franciscano que ejerció como arquitecto en la ciudad episcopal de Mondoñedo durante el segundo cuarto del siglo XVIII. La historiografía siempre ha soslayado su figura pese a atribuirle más obras de las que realmente debió diseñar o dirigir. Nuestro propósito en el presente trabajo es despejar dudas y aportar certezas acerca de su biografía, carrera profesional y personalidad artística. // Brother Lorenzo de Santa Teresa was a Franciscan friar who worked as an architect in the Episcopal city of Mondoñedo (Spain) during the second quarter of the 18th century. The historiography has ignored his figure despite attributing to him more works than he really had designed or directed. The aim of this paper is to remove some doubts and provide new certainties on his biography, professional career and artistic personality.
