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Frequency tuning of sound sensitive (SS) vestibular afferents to tone bursts with different frequency and intensity. A, B, C, left panels, averaged CPEs of each condition. Right panels, percentages of SS afferents in each condition. AC, anterior canal units; HC, horizontal canal units; PC, posterior canal units; SO, otolith units in the superior branch; IO, otolith units in the inferior branch

Frequency tuning of sound sensitive (SS) vestibular afferents to tone bursts with different frequency and intensity. A, B, C, left panels, averaged CPEs of each condition. Right panels, percentages of SS afferents in each condition. AC, anterior canal units; HC, horizontal canal units; PC, posterior canal units; SO, otolith units in the superior branch; IO, otolith units in the inferior branch

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Vestibular evoked myogenic potentials (VEMPs) are routinely used to test otolith function, but which specific vestibular afferent neurons and central circuits are activated by auditory frequency VEMP stimuli remains unclear. To examine this question, we analyzed the sensitivity of individual vestibular afferents in adult Sprague-Dawley rats to tone...

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... quantitatively assess how tone bursts activate canal and otolith afferents, we calculated averaged CPEs of the SS afferents for each end organ and plotted them against tone frequency at each of the three intensity levels (Fig. 7A, B, and C left panels, error bars are within the symbols). The percentages of SS afferents were also calculated in each condition (Fig. 7 right panels, error bars are within the symbols). The tuning curves were further calculated for the whole afferent population (SS and NSS afferents) from each end organ (Fig. 8A, B, and C, error bars ...
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... assess how tone bursts activate canal and otolith afferents, we calculated averaged CPEs of the SS afferents for each end organ and plotted them against tone frequency at each of the three intensity levels (Fig. 7A, B, and C left panels, error bars are within the symbols). The percentages of SS afferents were also calculated in each condition (Fig. 7 right panels, error bars are within the symbols). The tuning curves were further calculated for the whole afferent population (SS and NSS afferents) from each end organ (Fig. 8A, B, and C, error bars are within the symbols). These tuning curves were well defined for each end organ and exhibited the following three basic features. ...
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... the anatomical location defining the surface of each macula and across the cross section of each ampulla. Normalized velocities exciting each organ predicted by this model are plotted in Fig. 11B as a function of stimulus frequency. Averaging across organs, frequency dependence predicted by this simple model is remarkably similar to experiments (Figs. 7 and 8) showing a broadband tuning with a peak centered near 1500 ...
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... (Fig. 11B, red) receives the most mechanical excitation through stapes driven fluid motion. Excitation of the canals predicted by this model follows the same frequency dependence but is reduced in magnitude relative to the otolith organs. The fact that all organs are excited with similar frequency dependence is consistent with experimental data (Figs. 7 and 8), but excitation of the canals in the simulations is lower than that measured experimentally. This difference is most likely due to the fact that the model did not include the membranous labyrinth and therefore missed vibration transferred from the otolith organs to the canals along the vibrating membranous labyrinth. Wave propagation ...
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... syndrome ( Iversen et al. 2018;Iversen et al. 2017) and likely plays a role in the intact labyrinth as well. Precisely how local mechanics is related to afferent responses in otoliths vs. canals likely also contributes to the difference. Given simplifications in the model, the qualitative correspondence between the simulations (Fig. 11B) and data (Figs. 7 and 8) suggests sound excites vestibular organs by simple mechanical vibration of each end organ and associated displacement of sensory hair ...
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... of the vestibular end organs to model the VEMP tuning curves. The present FE model only includes 3D bony morphology, bulk fluid motion between the oval and round windows, and fluid compressibility and ignores wave propagation along the membranous labyrinth. But even with this simplification, results have qualitative correspondence to data (Figs. 7 and 8), indicating that frequency tuning arises primarily from the morphology of the labyrinth as a whole, and evanescent mechanical vibration of the fluids between the oval and round windows. This mode of excitation is consistent with the fact that all vestibular organs exhibited nearly the same frequency response, but different ...
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... that frequency tuning arises primarily from the morphology of the labyrinth as a whole, and evanescent mechanical vibration of the fluids between the oval and round windows. This mode of excitation is consistent with the fact that all vestibular organs exhibited nearly the same frequency response, but different sensitivities, at least < 70 dB SL (Fig. 7C). The FE model appears to underestimate activation of the HC, AC, and PC for stimuli > 70 dB SL, possibly because the model does not account wave propagation from the utricule and saccule along the compliant membranous labyrinth. Propagation of vibration along the membranous labyrinth has been shown previously to be important at ...
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... it is difficult to achieve selective activation of only otolith afferents with clicks in VEMP testing. One goal of the present study was to determine the parameters of tone bursts that allow us to achieve selective activation of the otolith afferents. Our approach was to compile tuning curves for different end organs at different intensities (Figs. 7 and 8). It is important to note that if tuning curves are scaled to give the same peak, the curves from all organs nearly overlap, indicating that all organs are activated by the same stimulus but to different extents. Thus, the only way to selectively excite the utricle and saccule would be to use a low strength stimulus, titrating the ...

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... Auditory frequency ACS and BCV are commonly used to activate vestibular otolith organs in the inner ear for basic science applications and as part of the neuro-otology clinical test battery. Utricular and saccular afferent neurons with irregularly spaced inter-spike intervals are the most sensitive to sound and vibration (1)(2)(3), and for sinusoidal stimuli fire action potentials at a precise phase in the stimulus cycle. Transient pulse or click stimuli evoke synchronized action potential firing in these sensitive neurons, resulting in detectable whole-nerve vestibular compound action potentials (vCAPs), similar to extracellular field potentials first observed in peripheral nerves a century ago (4). ...
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