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![Frequency of term [no]](publication/369344505/figure/fig2/AS:11431281127759228@1679147966745/Frequency-of-term-no.png)
Source publication
![Figure 1: Frequency of the phonemes [mi] and [me]in the ST This...](publication/369344505/figure/fig1/AS:11431281127766483@1679147966679/Frequency-of-the-phonemes-mi-and-mein-the-ST-This-visualisation-reveals-that-the_Q320.jpg)
![Figure 2: Frequency of term [no]](publication/369344505/figure/fig2/AS:11431281127759228@1679147966745/Frequency-of-term-no_Q320.jpg)
Hermeneutical translation studies is increasingly interested in how interpretation works (Robinson 2020), and interpretation in the context of translation is inextricably linked to issues of understanding. As Hermans (2015) notes, the hermeneutic endeavour springs from a desire to understand, but the practice of gaining that understanding is an art...
Contexts in source publication
Context 1
... Repeated "no": A sign of helplessness "Okno, el esclavo" contains the particle "no" in every paragraph (as evidenced in Table 2 and Figure 2), and the cumulative effect of the repetition of "no" is amplified as the story progresses. ...
Context 2
... is a clear illustration of Ocampo's use of repeated negation, exemplified here with the negative particle "no", which is prevalent and through rhythmic repetition and the kinaesthetically embodied effect created can also be said to contribute to the negative tone of the passage. Figure 2 shows the frequency and distribution of no-morphemes across the narration, reaching a climax towards the end. The presence of the particle "no" in each paragraph serves to enhance the negativity experienced by the narrator and transmitted to the reader, affecting their cognitive and emotional load. ...
