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Currently, the work of pattern making and fashion sketch drawing is done by designers and pattern makers respectively. The development of satisfactory garment products requires constant communication between designers and pattern makers. This process is very time-consuming. In this research, we proposed a body-dimension-based associate design metho...
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... design includes three key parts: style design, construction design and process design. The main work of style design is fashion sketch drawing; the main work of construction design is pattern making; and the main work of process design is process sheet making ( Fig. 1(a)). Fashion designers draw a fashion sketch according to a design theme; pattern makers make patterns according to a fashion sketch [1]; and technologists make production process sheets based on the fashion sketch and pattern. These three basic designs complement each other. Generally, fashion sketch drawing belongs to artistic design ...
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... fashion sketch is also known, among others, as a production drawing, technical drawing, or production sketch ( Fig. 1(b)). A fashion sketch is used to concretely express designers' ideas and garment details to related departments [3]. Fashion sketches are applied in many areas, for example, patternmaking documentation, technology packs, specifications, cost sheets, and 3D virtual garment modeling [2], [4], [5]. In order to avoid misunderstanding in ...
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... garment pattern is used as a reference for cutting a whole piece of cloth into different pieces, which will be sewed to form a garment (Fig. 1(c)). Garment pattern making is also known as garment construction design, pattern cutting, etc. In the traditional pattern making process, pattern makers draw garment construction lines on a brown paper according to the fashion sketch provided by designers. After this, they cut the paper along these construction lines to acquire many ...
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... design includes three key parts: style design, construction design and process design. The main work of style design is fashion sketch drawing; the main work of construction design is pattern making; and the main work of process design is process sheet making ( Fig. 1(a)). Fashion designers draw a fashion sketch according to a design theme; pattern makers make patterns according to a fashion sketch [1]; and technologists make production process sheets based on the fashion sketch and pattern. These three basic designs complement each other. Generally, fashion sketch drawing belongs to artistic design ...
Context 5
... fashion sketch is also known, among others, as a production drawing, technical drawing, or production sketch ( Fig. 1(b)). A fashion sketch is used to concretely express designers' ideas and garment details to related departments [3]. Fashion sketches are applied in many areas, for example, patternmaking documentation, technology packs, specifications, cost sheets, and 3D virtual garment modeling [2,4,5]. In order to avoid misunderstanding in sampling ...
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... and provide a clearer representation of designers' ideas. However, usually, there are some misunderstandings of styles' details among designers and pattern makers, no matter how accurate fashion sketches are. A garment pattern is used as a reference for cutting a whole piece of cloth into different pieces, which will be sewed to form a garment (Fig. 1(c)). Garment pattern making is also known as garment construction design, pattern cutting, etc. In the traditional pattern making process, pattern makers draw garment construction lines on a brown paper according to the fashion sketch provided by designers. After this, they cut the paper along these construction lines to acquire many ...
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Citations
... Literature [11] points out the limitations of the traditional clothing industry and then proposes the prospect of the application of a virtual clothing display system in clothing design, which improves the reuse rate of clothing design and also ensures the quality of clothing design. Literature [12] argues that in order to design clothing products that satisfy customers, designers and pattern makers need to constantly modify and communicate with each other, which results in a very time-consuming process of clothing design. For this reason, the correlation design method based on human body dimensions is proposed to improve the efficiency of clothing design. ...
... The indicator factor with the largest value is taken as the final comparison series and then compared with all the other indicator data to obtain the sequence difference. The calculation process is shown in (11), where the maximum value M and the minimum value m are found among all the calculated sequence differences, and then the correlation coefficient between indicators is calculated according to formula (12). Use (13) to calculate the correlation between each indicator. ...
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... Liu et al. [16] proposed a new fashion sketch design for designers. The proposed sketch design first finds the management system's fashion patterns and features. ...
... Liu et al. [16] New fashion sketch design The proposed model mainly associates fashion sketches and patterns with human body dimensions. ...
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... Wan et al. 2 tried to deform flat sketches according to the given human body posture. Liu et al. 3 tried to integrate fashion design and pattern design processes by creating garment patterns from flat sketches. Some studies have been made on the automation of the flat sketch design process by constructing a flat sketch element database. ...
This study aims to develop a process that automatically extracts various flat sketch elements in vector format from clothing images. The approach of this study is to combine state-of-the-art image processing algorithms with the new algorithm devised in this study. First, a convolutional neural network based edge detection model trained with specially prepared fashion image data set was used to convert clothing images into edge maps. Then, a recurrent neural network based vectorization model and a rule-based image correction algorithm were used to convert the edge map into a vector image. Finally, a graph search algorithm was used to extract closed shapes from the vector image. As a result, the accuracy of edge extraction model has been improved by training with the special fashion image data set. The image correction rule was able to refine the vector images generated by the vectorization model. The graph algorithm was able to extract closed shapes from the vector image. This study is the first study to extract vector style flat sketch elements from clothing images using artificial intelligence and conventional computational geometry.
... Traditional culture in various forms provides many creative inspirations and design ideas for modern ethnic clothing design and is an effective way for ethnic clothing designers to build ethnic clothing brands and manifest contemporary clothing art [3][4][5]. With the country's increasing strength as a whole, the general public has become more aware of ethnic clothing culture, which requires modern ethnic clothing designers to have a more in-depth understanding and mastery of traditional culture [6][7][8]. The unique cultural charm of ethnic clothing design is revealed by the innovative application of traditional cultural elements [9][10]. ...
The use of multi-source, multi-objective statistical information fusion is utilized in this paper to identify garment design targets, and the correlation is judged based on garment data. Some parameters are pre-set to generate linear garment descriptions for multi-source, multi-objective information fusion and find the adaptability of ethnic elements under random coefficients using element information relationships. The clothing width vector of the radial basis function is calculated by clustering ethnic culture element data using centroid information. The results show that the innovation rate of ethnic elements of Miao batik reaches the highest 0.57, the average adaptation value in the garment design is increased by 4.92%, and the ethnic-cultural elements are embodied 280 times, which indicates that the proposed method can promote the traditional excellent culture.
... have not yet been expanded in that branch is determined for each clothing design sample [20][21]. The decision tree is expanded with the genus resistance containing the minimum predicted entropy value, averaging the classified fuzzy entropy attributes, and when the entropy value or near the end, the nodes of the attributes stop expanding, and the decision tree prunes and then cycles the operation to the end point, indicating that the decision tree growth is complete. ...
In this paper, a traditional ethnic clothing design style model is proposed, aiming to promote the good development of clothing in artificial intelligence design. The model uses an interactive dichotomous meter algorithm for top-down information gain, differentiates sample attributes by selecting entropy values, and defines an average categorical fuzzy subset based on discrete attribute leaf node division for deep, circular arithmetic decision-making. After satisfying the clothing design evolution condition, the minimum prediction entropy value genus block is extended, and the feedback matrix random input variables are used to induce the regularized likelihood frequency classification value distribution. The results of the analysis of traditional ethnic clothing design show that there are {0, 0.5, 1} mathematical expressions on clothing design hues, the demand of clothing design value subject shows a positive state, the change of consumption wave that festival and style will bring, the knowledge value in the mean difference of clothing design orientation is as high as 0.9173 with a significant value of 0.00<0.05. Therefore, the design style of traditional ethnic clothing is not only the inheritance and promotion of national culture but also the enhancement and development of aesthetic consciousness.
... Thus, efficient human-product interactions, aiming at offering decision support for designers by unveiling and applying the sophisticated quantified relationships between consumers' equivocal needs and product design parameters, have become a key to success in garment e-MC. Presently, diverse computational tools have been put forward to provide decision supports in key links of the personalized garment design process, such as design solution generation [26][27][28], fabric selection [29,30], colour coordination [31][32][33], fashion sketch design [34][35][36], garment pattern design [37][38][39][40][41][42], and so forth. For instance, in Ref. [28], an e-customized garment co-design system was developed by Li et al. based on the evolutionary algorithm and fuzzy logic theory, to optimize the size and affect the customized skirt with communication and expert evaluation. ...
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... Although the customized clothing production mode can meet the above requirements, the time cost and labor cost are high, and there is a waste of resources, which is contrary to the concept of sustainable fashion development. In the process of garment customization, the measurement, cutting, sewing, and storage are all highly automated [3][4][5], but the pattern-making process is still dominated by traditional manual pattern making, such as the use of Fuyi, Bock, and other computer aided design (CAD) software [6][7][8]. ...
Personalization in the apparel industry shows importance and the potential for demand, but the existing personalization has unreasonable time cost, labor cost, and resource waste. To solve the problems of the waste of resources as well as both time and labor cost caused by manual pattern making in clothing personalization, a method of automatic garment pattern generation based on a parametric formula and the Python language was proposed. Based on the classification of common curves in patterns, three curve fitting algorithms based on different parameters were derived and combined with the Python language to achieve personalized generation of different patterns by classifying the parameters in the system into key parameters, secondary parameters, and variable parameters. Three different methods for verifying the accuracy of the garment patterns were proposed based on curve fitting similarity and three-dimensional virtual modeling, and the accuracy of the proposed system was verified. The results show that the accuracy and comfort of the patterns generated via the system were high. Meanwhile, the Python-language-based system fits well with the production system of enterprises, which can improve the rapid response capability of garment personalization, greatly save the time cost and labor cost of enterprises, reduce resource loss, and contribute to the sustainable development of the garment industry.
... Wang et al. [9] proposed a garment pattern-making method based on fuzzy logic and artificial neural network knowledge to generate garment patterns quickly. Kaixuan Liu et al. [10][11][12] proposed parametric pattern-making and flat design methods based on human body size, which can generate garment patterns quickly by inputting some constraint parameter values. Haisang Liu et al. [13] established a warp knitted garment size prediction model by analysing the relationship between the size characteristics of warp knitted jacquard pattern and knitting process, and realized the automatic generation of garment pattern by using JavaScript and WebGL technology. ...
Based on 3D reverse engineering and man-machine interactive technologies, this paper completed the pattern development of a straight-front robe of the Mawangdui Han Dynasty tomb and restored the straight-front robe by virtual simulation technology. Firstly, the garment contour was extracted from the straight-front robe image of the Mawangdui Han Dynasty tomb, and then the garment model was established in the 3D virtual environment. According to the style characteristics of the straight-front robe, the structural curves were drawn on the adjusted 3D robe surface, and the different curved surfaces formed by these curves were expanded to obtain 2D garment patterns. Finally, the unfolded patterns were stitched on the virtual human body to realize the digital restoration of the straight-front robe of the Mawangdui Han Dynasty tomb. Compared with the current methods of garment restoration, the method proposed in this paper not only reduces the technical requirements of pattern-making for archaeologists but also for unearthed cultural relic garments, the final pattern can be obtained without consulting a lot of data and repetitive modification of pattern, to improve efficiency and save manpower. Our proposed technology provides a new practical method for costume archaeology and restoration.
... The way of pattern-making processes is closely related to fit as well as production. 17 As technology is evolving 2D patterns and 3D patterns are both important for design solutions. Design solutions are always a major concern to the designers, technicians, pattern makers or experts to get desired output. ...
The making of patterns is the beginning of the cycle of designing garments. Pattern making is an accomplished technique requiring technical ability, flexibility for interpretation of design, and a realistic understanding of the construction of garments. It is a feature of the bridge function between design and development. This is an effective and conservative approach that can be manipulated by a technique known as flat pattern designing to construct the pattern for various types. The most frequent issues of pattern-making are following only Dart Manipulation or Added fullness or Contouring method rather than all at a time. If this practice of all methods can compare with the CAD system the output would be more accurate to resolve the issues of miss fit, imbalance, and so on. Another result of the research shows that the designs are substantially constructed without understanding that the design is based on certain concepts and structures. The principles of pattern-making consist of the three most prominent methods namely Dart Manipulation, Added fullness, and Contouring. This is essential to know for making flat patterns and alterations according to individual designs when we perceive the basic principles of pattern making and modification we produce any kind of design without affecting the original pattern size and shape thus we can meet the desired fit and balance. This study will demonstrate a way of applying three pattern-making methods to garments manually as well as in CAD. These patterns can be manipulated and changed into shapes through the slash-spread technique. The slash-spread technique is easy to understand as it clearly illustrates the changes taking place. The outcome of this study will impact the new upcoming fashion industry and also the garment industry
... and (3) How does the influence of facility on fashion design education students' ability to create fashion patterns? Previously studies have mainly focused on pattern cutting (Almond & Power, 2018;McQuillan, 2019;Murashko et al., 2018;Sgro, 2020), the learning process in pattern marking (Azman et al., 2019;Linet et al., 2021;Naznin et al., 2020;Sleem & Elwan, 2018) and fashion sketch and pattern (Kato et al., 2019;Lee & Kim, 2021;Liu et al., 2019). However, there is a lack of studies that focus on investigating the effect of antecedent factors that are knowledge, discipline, and facility toward the fashion design education students' ability to create fashion patterns. ...
This study is based on the problem of many students having a low ability to create fashion patterns. This study aimed at the influence of knowledge, discipline, and facility on the fashion design education students' ability to create fashion patterns. The total population was 65 students that enrolled in the Fashion Pattern Construction of the Fashion Design Education Program of Universitas Negeri Padang. The sampling technique used in this study is total sampling. A total of 65 respondents were successfully collected. The data analysis technique used is Partial Least Square Structural Equation Modelling (PLS-SEM). The results showed that: There is an insignificant influence of knowledge on fashion design education students’ ability to create fashion patterns. Meanwhile, there is a significant effect of discipline and facility on fashion design education students’ ability to create fashion patterns. What could be said from the result of the study is that high discipline of students in the learning process and adequate facilities are owned by students and provided by the university could be increased fashion design education students' ability to create fashion patterns.
