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In 1985 during the period called “democratic transition”, in the Argentinian province of Tucumán begins the publishing of a comic book called Pucará. Pucará adopted then a specific position to justify its inscription in the history of Argentinian comics, read and reinterpreted in a nationalistic and military key. This paper aims to replace it in it...
Context in source publication
Context 1
... revista tucumana Pucará: la aventura latinoamericana apareció en julio de 1985 13 . Desde su portada ya pueden verificarse una serie de posicionamientos político-ideológicos interesantes (Fig. 2). La imagen estaba a cargo de Enrique Breccia: un guerrero al estilo incaico aparecía triunfante sobre una especie de marine futurista de la OTAN, yacente sobre un montículo pedregoso. De fondo, sobre el blanco, se recorta un sol tajeado. Los créditos debajo del logo de diseño andino precolombino rezaban: "Tucumán - Rep. Argentina ...
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Citations
En el presente trabajo se expone un panorama de la producción de historietas e ilustraciones argentinas, desde fuera de su centro de producción (Buenos Aires) en los últimos veinte años. Se busca identificar y analizar las condiciones de producción específicas del contexto de Tucumán, a través del estudio de las trayectorias y obras de dos historietistas mujeres. Se tomarán las nociones de campo y capital de Bourdieu, distintos aportes de estudios nacionales de historietas y colaboraciones de los estudios culturales y perspectiva de género. Se presentarán las trayectorias profesionales de dos historietistas y se las analizará a la luz de lo estudiado previamente. Este trabajo demuestra que la perspectiva de género es fundamental para el abordaje de toda problemática de investigación y, en este caso, permite indagar y hallar datos que, de otra manera, no se podrían haber conocido. Asimismo, se propone un nuevo relato posible sobre el desarrollo de este campo en tiempos recientes.
