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During the last part of his self-imposed escape from any type of digital tracking, Bond seeks nightly refuge in a remote cottage on the Wales countryside. The paranoia ensues. © Green Lions Ltd. 2009
Source publication
PARANOID, MOI? – ERASING DAVIDThe article discusses the relationship between the subject of surveillance and documentary film. As its main example, it uses David Bond’s Erasing David from 2009, which thematically revolves this particular topic, the British surveillance society (Big Brother Britain). The genre-specific and film historic aspects of t...
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