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Designs of Polish National pavilions and world's exhibitions in 1925, 1937 and 1939. Sources: [7, 8, 9] Ryc. 8. Projekty polskich pawilonów narodowych na wystawy światowe w 1925, 1937 i 1939 r. Źródła: [7, 8, 9]

Designs of Polish National pavilions and world's exhibitions in 1925, 1937 and 1939. Sources: [7, 8, 9] Ryc. 8. Projekty polskich pawilonów narodowych na wystawy światowe w 1925, 1937 i 1939 r. Źródła: [7, 8, 9]

Contexts in source publication

Context 1
... the interwar period Poland marked its presence at international exhibitions by building three national pavilions in 1925 in Paris, in 1937 again in Paris and in 1939 in New York. Polish pavilions were positively perceived and rewarded (Fig. ...
Context 2
... for the classical approach to design. Interwar Polish pavilion at world exhibitions avoid naive folk and pushy introduction of regional forms in architecture of exhibition objects, what probably instead of expected promoting of Polish identity would expose Polish representations to the allegations of retrogression or lack of imagination (Fig. 8). Polish identity in our pavilions was much more communicated by interior decorations of pavilions, usually inspired by folk art and works of art. They were more focused on evoking the true spirit of the past, showing Poland as a country of glorious deeds and great heroes, which did not fully fit the character of international ...
Context 3
... the interwar period Poland marked its presence at international exhibitions by building three national pavilions in 1925 in Paris, in 1937 again in Paris and in 1939 in New York. Polish pavilions were positively perceived and rewarded (Fig. ...
Context 4
... for the classical approach to design. Interwar Polish pavilion at world exhibitions avoid naive folk and pushy introduction of regional forms in architecture of exhibition objects, what probably instead of expected promoting of Polish identity would expose Polish representations to the allegations of retrogression or lack of imagination (Fig. 8). Polish identity in our pavilions was much more communicated by interior decorations of pavilions, usually inspired by folk art and works of art. They were more focused on evoking the true spirit of the past, showing Poland as a country of glorious deeds and great heroes, which did not fully fit the character of international ...

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