Figure 111 - uploaded by John Grigsby
Content may be subject to copyright.
Bellatrix in Orion and Antares and Scorpio setting over the twin hills of Helvellyn as seen from Mayburgh henge c.2200 BC
Source publication
Following the work of Larsson and Kristiansen’s ‘The Rise of Bronze Age Society’ (2005) that utilised Indo-European myth to shed light on the iconography of Bronze Age Scandinavian art, this thesis postulates a similar relationship between Proto-Indo-European mythology and the ceremonial sites of the British Neolithic, arguing both, at root, share...
Citations
Holme I and II were contemporary, adjacent Early Bronze Age (EBA) oak-timber enclosures exposed intertidally at Holme-next-the-sea, Norfolk, England, in 1998. Holme I enclosed a central upturned tree-stump, its function and intent unknown. Holme II is thought a mortuary structure. Both are proposed here best explained as independent ritual responses to reverse a period of severe climate deterioration recorded before 2049 BC when their timbers were felled. Holme I is thought erected on the summer-solstice, when the cuckoo traditionally stopped singing, departing to the ‘Otherworld’. It replicated the cuckoo’s supposed overwintering quarters: a tree-hole or the ‘bowers of the Otherworld’ represented by the tree-stump, remembered in folklore as ‘penning-the-cuckoo’ where a cuckoo is confined to keep singing and maintain summer. The cuckoo symbolised male-fertility being associated with several Indo-European goddesses of fertility that deified Venus - one previously identified in EBA Britain. Some mortal consorts of these goddesses appear to have been ritually sacrificed at Samhain. Holme II may be an enclosure for the body of one such ‘sacral king’. These hypotheses are considered, using abductive reasoning, as ‘inferences to the best explanations’ from the available evidence. They are supported with environmental data, astronomic and biological evidence, regional folklore, toponymy, and an ethnographic analogy with indigenous Late Iron Age practices that indirect evidence indicates were undertaken in EBA Britain. Cultural and religious continuity is supported by textual sources, the material record and ancient DNA (aDNA) studies.
The Milky Way and the Goddess of the Henges - a forum piece I wrote for the journal of Skyscape Archaeology.
A myth asserts that at sunrise on the summer solstice ‘something’ came to the Calanais Stones’ central ring heralded by the cuckoo’s call. This paper investigates which of the three celestial objects easily visible at sunrise, the Sun, Moon and Venus, might be referred to. The stones have no obvious orientation with the Sun and, while a ‘window’ of the midsummer full-moons could be seen over the stone ring, complex lunar orbits preclude any precise alignments including the lunar standstill positions. Several widespread European goddesses of fertility and sovereignty were associated with both Venus and the cuckoo, astronomically symbolised by the Pleiades in northern Europe. The east -row of the Calanais Stones is aligned with crossover events of Venus. Three crossover events occurred during the period of the east row construction suggested by radiocarbon dating. The azimuth of the rising Pleiades coincided with the Venus crossover of 1677 and 1674 BC. The ‘something’ was ‘bright, shining, holy’ in Brittonic, gwen, while Gwener is the planet Venus. The appearance of the Sun and Venus at sunrise on the summer solstice might represent a divine wedding. This is believed to be the first European prehistoric monument demonstrated to be purposely aligned with Venus.
Two projects – “Mapping the Sun” and “Reading the Hurlers” – have shone new light on the multiple stone circle complex, The Hurlers, on Bodmin Moor, Cornwall, in southwest Britain. In 2013, excavation revealed a stone “pavement” between the central and northern circles: this inter-circle link had first been discovered in 1938 but had then been re-covered. Work in 2016 discovered a solitary fallen (once standing) stone which lay 100 m to the north of The Hurlers complex. Geological studies of the standing stones accompanied by astronomical surveys have prompted new insights into the make-up of this monument, its landscape setting and astronomical significance. Astronomical observations of this major Bronze Age landscape reveal a design with significant alignments between key monuments and near and distant landmarks. Additional astronomical links suggest a number of interesting phenomena which would be experienced at the site, particularly surrounding the materiality of the inter-circle link.
