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div>In the Postmodern era there are diverse forms of architecture, which is also related to. structural and material technology that is developing so rapidly. The method used is the analysis of architectural theories to find the relationship between Function‐Form, whether:
1) The concept of Form follows Function;
2) The concept of Function foll...
Context in source publication
Context 1
... National Stadium (Bird's Nest) was built with the 2008 Bowl and Birds Nest concept in Beijing, China, by architects Herzog and De Meuron with steel, concrete and resin materials ( Figure 6). The concept of this building is reflected in the relationship between Function and Form that each looks independent and running together because the Form uses the structure concept of Birds Nest, while the function uses the concept of a Bowl that can accommodate 91,000 spectators, so that the building has no different priorities and also the building expression of Function and Form is cantered and melts into a single method, all of which produce one conclusion in the concept of architectural design. ...
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The human innate tendency to interact with the natural environment has been proven by psychologists. This interaction should be placed in educational environments (schools). Unfortunately, interaction with nature is not considered in schools today, and the schoolyard, a place where students can interact with open space and nature, is designed to be...
div>In the Postmodern era there are diverse forms of architecture, which is also related to. structural and material technology that is developing so rapidly. The method used is the analysis of architectural theories to find the relationship between Function‐Form, whether:
1) The concept of Form follows Function;
2) The concept of Function foll...
Citations
... The style upturned the strict formality and lack of reverence for individual cultures that were characteristic of the modern architectural style. It also paved the way for a reintroduction of some elements of eclecticism in its statements ( Haddad, 2009;Portnova et al., 2019;Trisno & Lianto, 2019). The postmodern style became the precursor of contemporary building styles. ...
The literary materials on Yoruba architecture that are more common are descriptive. They dwell mostly on the massing of units, individual configurations within buildings and cultural patterns in ornamentation. The direct links between the living spaces and their socio-cultural implications are emphasized to explain the origin of the forms. The morphological chronology in the building patterns is regarded as vernacularisation processes especially from the traditional patterns to the vernacular traditions. There are hardly any publications of Yoruba architectural buildings beyond the later vernacular patterns like the Afro-Brazilian style. While these volumes of literature are mostly limited to the traditional and vernacular styles, the ethno-acculturation of more contemporary and foreign building patterns like the "international" and the "postmodern" styles into the body of indigenous architectural building patterns of the Yoruba of Southwest Nigeria are not being investigated and published. The culture of a people is preserved in their architecture. If the culture of the Yoruba is preserved in their buildings, the cross-pollination of the Yoruba culture with different inputs from foreign cultures should be evident in the new indigenous buildings that are evolving up till the end of the twentieth century. This chapter material has organized the different lines of thought in the morphology of indigenous architectural building patterns of the Yoruba into a continuum that extends beyond the limits of the current body of literature on the topic. It attempts to decipher the new forms and elements of the buildings of later Yoruba indigenous architecture up till the turn of the twentieth century. The emphasis is on the definition of newer building patterns that can be termed as "indigenous" to the Yoruba culture in Southwest Nigeria. Having increased the ambit of the Yoruba architecture concerning the building patterns beyond the exposition of the previous publications, the current surcease on the morphology of Yoruba architecture in print can be broken to open up more research and publications on contemporary thresholds of the indigenous Yoruba architecture. The chapter is concluded with a guide on the identity of buildings of indigenous architecture of the Yoruba even within the morass of foreign building patterns that crowd the Yoruba towns in Southwest Nigeria.
... The ritual function follows the typology of Chinese temple forms. This can still be possible as long as the function of the local culture can fulfil and follow religious ritual activities (Trisno & Lianto, 2019). The design of the kelenteng building uses the typology of buildings originating from the Chinese temple. ...
... The relationship of function following the form can occur as long as the form can accommodate the function of the building, and all spaces have their benefits (Trisno & Lianto, 2019). It could even be neo-vernacular forms underlying the design of religious buildings during the ritual procession that can be fulfilled (Trisno & Lianto, 2020b). ...
The design of the kelenteng (temple) building using a typology of the form of the Chinese temple building is very interesting to be used as a research issue, which raises some interesting questions, namely: (1) Does this aim at the uniformity of all the temples outside China?; (2) Is this building still feasible to use wooden structures?; (3) What about the “sign” meaning of the symbol?. This study aims to find information on how the “Kelenteng Hok Tek Bio” (Chinese temple) in anticipating this problem with the development of people who tended to increase after the fall of the New Order government in 1998 Chinese religious rituals permitted again. The method is qualitative interpretative research. The conclusion obtained in this study is; (1) The “Kelenteng Hok Tek Bio” has Si He Yuan courtyard type in the middle of the building with a symmetrical form. It looks like a Chinese Temple; (2) The structure used is wood and concrete adapted to the spirit of the age; (3) The “sign” meaning is index, symbol, and icon. The findings are “function follows the form”, and the kelenteng has a courtyard, symmetrical form, wooden and concrete structures, the “sign” meaning of the building can be an index for Feng Shui, symbols for ornamentation, and icon for flora, fauna, even the hànzì script.
... There are two paradigms of form and function in the architecture design theory. The first is form follows function and the second is function follows form [15]. For the architecture with the form-follows-function paradigm, the form is fixed with the function. ...
... It is said that the sound of water splashing has a relaxing and calming effect on a person. The sound of water droplets or consisting of droplets gives a calming effect and makes it easier for a person to fall asleep [28]. ...
... According to Heidegger's view, using materials from nature is one way of understanding the world around him [5]. The use of natural ingredients can add comfort and can help lower blood pressure [31], and It is said that the play of textures on the walls and floors has a good influence on the sense of taste so that it gives a fresh and healthy effect [28]. ...
... He divides metaphors into three types: abstract metaphors derived from abstract values, ideas, concepts, traditions, culture, and others (Antoniades, 1992). This metaphor can be used as a tool to transfer the form of the existence of trim to the architecture of elementary school buildings while still paying attention to the function of the building itself so that form and function continue to run in harmony (Trisno & Lianto, 2019). ...
... Therefore, this pattern is applied in research by creating elements of various openings ( Figure 20). No. 39 Vertical Distance ...
This research aims to find out that education significantly influences the way people live in the world; with today’s education, humans and robots have become blurred. Therefore, it is necessary to change the curriculum and education, architecture which are the main problems Heidegger’s views used as a reference in this study. The solution offered to apply the future curriculum, namely STEAM, to the education system and its architectural forms by creating creative spaces and creating architecture that exudes human existence in them with metaphorical architecture. In this study, the current incidence of COVID-19 is taken as the context of the times in which humans are in, so it is necessary to make a school design is responsive to Covid-19. The method applied: 1) Applying the concept of ‘being’ in Heidegger’s philosophy; 2) creating a creative space; 3) creating a strategy when the Covid-19 incident in Heidegger’s philosophy of ‘time’. Architects need to think about the people who feel the existence of buildings in terms of form and function. The findings; how to create creative spaces to help the learning process in schools so that children can be motivated by their creativity by referring to Heidegger’s views on ‘being and time’.
