Figure 2 - uploaded by Dimitrios S. Dendrinos
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2.2.d. Gobekli Tepe, excavated structures D (top), C (right), B (left), A (bottom). North is up. Photo is found in the public domain under search terms: "Gobekli Tepe bird's eye view".
Source publication
![Figure 1.2. A property of ellipses. Source of diagram: ref. [3.1] and...](profile/Dimitrios-Dendrinos/publication/321777016/figure/fig2/AS:571123559395328@1513177875318/A-property-of-ellipses-Source-of-diagram-ref-31-and-53_Q320.jpg)
This is an update of the paper under the same title by the author. It contains editorial corrections and the formal permission by the University of Cincinnati Dept. of Classics to use the image of the ring.
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Citations
... Many issues (obviously not all) regarding the signet ring from the circa 1450 BC Mycenaean Griffin Warrior tomb at Pylos can be found in ref. [1]. None of that material will be repeated here. ...
... Here, in this paper, which should be regarded as an Addendum to that paper, additional information is supplied regarding the appearance of square waves in the oceans and coastal lines of particular regions of the World. This new information (to which this author became aware after the 2017 writing and posting of the paper in ref. [1]) is presented here. It becomes of essence in so far as the interpretation of the ground level of the signet ring's iconography is concerned. ...
... An observant artist with the talent and the extremely sharp observation skills of the ring's maker must be considered as a very likely candidate of possessing such (possibly first hand) knowledge. In ref. [1], this author made the argument (which will not be repeated here) that the rectangular (almost square) pattern of lines (drawn without perspective) at the bottom of the ring's (almost perfectly elliptical in shape) iconography represent cultivated land. This iconography is shown in Photo 2. ...
This paper is a follow-up to a series of papers on the topics of both: (a) Minoan Miniature Art, as recorded on the gold signet Minoan 5-priestess ring with Miniature Art found on the Griffin Warrior’s tomb at Pylos; and (b) on the presence of Quanta on Archeology’s Architecture and artifacts, a theoretical construct proposed by this author, and based on methods from Quantum Mechanics, and specifically the Richard Feynman’s interpretation of it.
